#i also need to get my hands on the original tale

[rapha-reads]

I just finished A Curse So Dark And Lonely, by Brigid Kemmerer, and wow, it might be even better than The Beast's Heart. That's a fantastic twist on Beauty and the Beast's story, and, this time, I'm using fantastic in its literary sense of "a story that starts in the real world and then gets invaded by the magical". Harper is truly awesome and badass, and I would have loved to see Grey's POV through the story, he's so good and loyal. Rhen is interesting insomuch as he's different from what the character of the Prince usually is in these contemporary rewritings. He's much more pro-active in his life and passive in his curse, if that makes sense, while most other Princes linger in their resignation and frustration.

That was such a fascinating read, I can't wait to start writing my thesis on modern rewritings of B&tB and compare it with The Beast's Heart, A Tale of Love and Revenge, Uprooted or Once Upon A Time, Belle. If you guys know more rewritings in contemporary literature of the tale, please do drop recs, the more samples I have for my thesis, the better!

[dotster001]

Waking Him up with a Kiss

Summary: Malleus/Silver/Jamil x Gn!Reader. You wake your lover up with a kiss.

Requested by an anon. Fuck you, Tumblr.

CW: Jamil is kinda sus but I wouldn't be doing him justice if he wasn't.

Also! Always get consent from your partner before kissing them in their sleep! That's a cool kid thing to do!

He'd been hinting at this for a while now. All his life, Lilia had regaled him with fairy tales where the sleeping prince or princess was woken with true love's kiss. Malleus had always been a hopeless romantic, and, damn, did he want that!

He'd left the books out when he slept over. He made sure that if he knew you would come looking for him, he'd nap on his back. He sighs dreamily (and loudly) whenever he rereads those fairytales next to you. He waxes on and on about how romantic being awoken with a kiss is. He knows he's dense. But he thinks you're worse.

Lilia giggles and says to be patient, Silver says to just tell you what he wants, and Sebek says to just banish you for the treason of making him sad. He decides that Lilia has never steered him wrong before, so he decides to be patient.

And one day it happens. He's dreaming of you, walking through a meadow, hand in hand. You turn to him, your radiant smile glowing brighter than the sun of his dreams. You press your lips to his, gentle as a cloud, and it feels so real that he doesn't want to wake up.

But he does, and he moans a little as he regrets losing the dream world. But the feeling of your lips doesn't fade. Light as a cloud, gentle as a dove, a feeling that makes him feel so full inside he thinks he'll burst.

His eyes flutter open, and there you are, on your knees in the grass, smiling softly as you push one of his dark bangs away from his eyes. He smiles sleepily, putting together that his dream came true.

“Now that you've given me a taste, I hope you know that I am insatiable,” he said, his voice still husky with sleep. You giggled, as though you thought he was joking.

Oh, you sweet little human.

He is not joking.

He has told you this on many occasions. If you are hanging out, and he falls asleep, do whatever you need to to wake him up. He originally tried to be chill about it, but eventually he let on just how much it distressed him when he missed time with you. He didn't want to miss out on any time with you. Yes, it was partially for you. But if he was honest, it was mostly for him. It hurt his chest to think about losing time with someone he loved. Being around the fae taught him every moment mattered.

Usually, you try everything. You shake him, you steal his pillow, you bang a pot, you set three alarms to go off at the same time. But today, you tried something different.

Silver blinked his eyes open, only to be met by your uncertain ones staring back at him, your face hovering a few inches above his.

He gently lifted a hand to his lips, the ghost of your kiss lingering. He may not have been fully awake for it, but he knows it happened.

His mind was immediately transported to a moment in his youth. He was sitting by his father, sniffling sadly because he fell asleep during Lilia's birthday party. 

“Ah, my sweet son,” Lilia said with a warm smile, gently nuzzling his cheek against Silver's. “I know it's not your fault. Even doctors have told you you can't help it. I am not upset at all.”

“But it's your birthday,” Silver sniffled. “I feel like I must be cursed.”

Lilia's eyes widened in understanding.

“That must be it!” He said excitedly. He ran to the nearby bookshelf and pulled off a book, before nodding sagely.

“Yes, that must be it, look,” he flipped to a page in the story, pointing to a picture of a sleeping princess being kissed awake by a knight in shining armor. “I know this curse! When you find true love, perhaps their kiss will save you!”

Silver excitedly nodded at the picture, his eyes wide.

Lilia snapped the book shut, authoritatively. “But until then, I don't want you to be sad when you fall asleep. Your hero will save you one day. And they might be sad that they took a long time to save you. So if you are less hard on yourself, it might help them feel better. Promise?”

Silver nodded happily.

Lilia is a menace, filling his son's heads with fairytales. /Affectionate

In the present, Silver smiled softly.

“Did you kiss me awake?”

“Sorry, I know I should have asked, but I figured when you said wake me up however I can-”

“That's correct. I could have said it plainly, but this is definitely what I pictured when I said that. But in case you need me to verbally say it, yes, please continue to wake me up like this. I think I will wake up every single time.”

You smiled at him, still hovering over him, making him long for your kiss again.

“You know, I wasn't awake for the last one. Would you please kiss me again?”

You giggled, then leaned in and pressed your lips to his.

“I feel like I need more ways to show my love for you,” you said thoughtfully. Jamil sat next to you on your bed in Ramshackle, reading over your report, and checking for mistakes.

“And what makes you say that?” He hummed in amusement.

“Seriously? You do everything for me! And I'm just kinda here!”

“I'm perfectly satisfied with that. In fact, I'd rather do all the hard stuff so that you have the energy to shower me in affection when I'm done,” he snickered to himself. If anything, a small selfish part of him liked the idea of you feeling like you had something to prove. It made you a very physically affectionate lover to “make up for it”. And while he was easily flustered, he very much liked the gentle caresses, warm embraces, and hungry kisses you gave him.

“Tell you what,” he hummed, handing you back the marked up report. It would take you hours to make the corrections. He loved you, but you were at a disadvantage when it came to college courses in the laws of magic. “I'm going to take a nap. When you finish, I'd really feel loved if you kissed me awake.”

He laid down, resting an arm over his eyes. 

“You could just stay the night if you're that tired,” you said in that tone of voice that only came when you were pouting.

“Can't. Kalim has a test tomorrow, and I need to make sure he wakes up for it.”

You grumbled something, but he was already out cold.

He felt…warm. He softly sighed, as he felt your kiss deepen. Still not opening his eyes, he wrapped an arm around your neck, and continued sleepily kissing you. Yeah. This is the life he wanted. To be rewarded for his hard work with your affection.

He finally opened his eyes with a scowl when you pulled away.

“I didn't say to stop. This is about expressing your love, right?” He snickered.

You pouted. “I miss when every single thing would fluster you.”

He scowled and stood up, stretching away the sleepiness as he prepared for his trek back to his dorm.

“I don't.”

You smiled sweetly, then reached out for his hair.

“Luckily,  I can still make you all blushy when I play with your hair.”

Tag list- @shytastemakerthing @eccedentesiast-sapphic @leoll @stygianoir @pikeru565

“Good night love,” he scowled as he stormed out of the room.

....

[bilolli]

Just Dance Care AU!

Ok ok so I thought of a story for this Au but it’s nothing really impactful or full of drama and angst like my other au’s, I wanted to leave this au easy and fun to play around, because, let’s say it. Just Dance and drama in the same sentence makes me laugh. 

story and PNG version under the cut!

(I gave up on Y/n design because I couldn't figure out a general look for them. This is you we are talking about! Draw your own JD fit, I'll draw mine soon XD)

Anyway here’s the story so far: 

Year 2029, videogames industry made a huge step forward and classic consoles and devices were substituted by the new and upgraded VR headsets with full body tracking. It’s something like the NerveGear in Sword Art Online without the kill switch. Some games still require you to actually move your body (like fitness games or sports because yeah, they don’t have a purpose otherwise). 

Y/n wanted to buy the newest VR headset but, while searching for the best offer, they found out FazCo entertainment was hosting a giveaway, the prize? One of their prototypes, a VR meant to be released the next year coinciding with the opening of their first mega pizza plex.

(so the plex doesn’t exist right now). You decide to sign up for the giveaway and after a while you receive an email telling you you won the VR headset and that, to claim it, you need to read and sign a series of NDA policies (understandable, it’s a prototype headset that’s not even in commerce). Some clauses are a little bit concerning but nothing you hadn’t read on other electronics booklets, so you decide to sign. After, like, a day, you have the VR in your hands. 

The box let you know with super saturated and colorful writing, that the VR came with a game pre-installed inside. Uh, that’s why they were giving one away, they wanted a free game tester…but you know what, it’s worth it.

You always liked Just Dance games, they make you think about happy memories of your childhood. This pre-installed game called “Five Dances at Freddy’s” is a close copy of your childhood game with original FazCo songs, characters, environments and also some collaborations with other famous artists. It probably will be the cause of a big copyright infringement report.

There are various ways to play it: story mode, Casual dance, Five Dances, and Just Dance Care.

The first one is similar to the casual dance mode but with little cutscenes between a dance and another to tell a tale, Casual dance is how you can play the collab songs, Five Dances is the multiplayer mode and Just Dance Care is a more uhhhh “hard” way to play the game with all the other modes mixed in it. You stare at the description of the last mode smirking and decide to try it first just to see how far you can get before losing (yes you can lose in hard mode in this Just Dance, but you don’t die, you just have to restart from the beginning). Turns out the FazCo wasn’t kidding when they advertised the new headset as a breakthrough in the world of virtual reality headsets, the thing TRANSPORTED you inside the game itself. 

You almost have a heart attack when you can’t find your VR on your head, but before you can try something you are blocked by two tall individuals who you think are the “tutorial” characters. 

Yadda yadda, tutorial, you can pause the game and exit whenever you need just by opening an hidden menu, you find out your tutorial characters are called Sun and Moon and that you are way worse than you remembered at dancing (damn full body tracking, there is no way you are going to do a cartwheel in the middle of a dance, you still don’t know if your body is inside your home and if you’ll physically feel pain if you fall and you don’t want to find out).

You pass an embarrassingly long time trying to win your first dance battle just to discover it was still the tutorial. 

You try to go on with the story but you fail at the first real battle with a bear character named Freddy. 

And guess what? You have to start again from the tutorial! Y/n is gonna spend A LOT of time with Sun and Moon if this goes on.

[thefrogman]

Froggie's Mailbox Adventures

I have been wanting to tell this story for a while now. This all happened right before my birthday and then I got sick for 4 weeks and didn't have the energy to talk about it.

So let us take a trip into the recent past to hear a tale of woe and triumph with a bunch of extra woe interspersed throughout.

It all began on the 4th of July.

Some neighborhood rascals ruined my old mailbox with a baseball bat.

They also destroyed my brand new mailbox sensor that lets me know when there is mail so I don't have to make multiple trips to check.

(Ring replaced it for free, so that was nice.)

Originally, I was going to hire someone to replace the mailbox. But I was not having much luck finding someone who could do that specific task. (I've been having trouble finding help in general due to living in a supposedly "dangerous" area.)

So I decided to try and install the mailbox myself. And I had no idea how much of an adventure that was going to be...

My first step was tearing off the old one to see how it was mounted.

I got some paper and a sharpie and noted where the holes were. And, of course, they didn't line up with the new mailbox.

Which is a really nice mailbox. I mean, it is solid. Check this bad boy out and please don't notice the dirty clothes lying on the floor in the background.

It is always so tempting to save a few bucks and get the cheaper thing, but I am so glad I splurged on this. It looks nice. It functions well. It has magnets. And I don't think it can be baseball-batted without some instant karmic retribution from Newton's third law.

My next step was to get a new mounting plate. And even though I try not to go to Home Depot because it is run by a bunch of conservative religious bigots... I went to Home Depot.

I was a little nervous about leaving the house at the time because I was still struggling with my heart issue (which I think is mostly resolved now). I was trying to be very careful about how much I exerted myself. I really didn't want to have an episode while I was out and about.

After searching for a while I discovered they had a mounting plate and a pressure-treated mounting board. I could do wood or metal. And they were located on completely opposite ends of the store because of course they were.

I had both items in my hand and I did that thing where you just keep staring at something hoping a useful thought will pop into your brain. I had no clue which one was better for my needs. There is surprisingly little information regarding mailbox installation on the internet. YouTube really let me down on this one. I was just kinda winging it and solving problems as I went along.

I stared for for a little while longer and no useful thoughts happened.

I was tired of staring so I just said, "Fuck it" and made an executive decision.

Then I almost passed out in Home Depot.

I spent too much time walking around that gigantic monstrosity of a store and my heart started beating super fast and my legs felt like jello and I started getting quite dizzy.

I was in rough shape.

So... I had a little lie-down next to a wall of tape measures.

I just stared up at them thinking about all of the things I could measure.

I could measure a dog.

Or a horsie.

Or a horsie the size of a dog.

Then I thought, "Ooh, that one has lasers! I NEED IT."

My brain was not functioning at 100% in that moment.

After about 10 minutes of thinking about lasers and things I could measure with lasers, my body seemed to reboot and I was able to get up. Thankfully no one saw me and thought there was a dead body in the aisle or something. But that was still embarrassing all the same.

Once my heart slowed down I was able to pay and make it out to the car. I headed home and saw one of the most unusual sunsets of my life. The sun was dim and a shade of orange I have never seen in nature. It was like, cheeto orange. Not only that, it was a perfect circle with a super crisp outline. It didn't look real.

I tried to get a picture of it but when I looked at the picture later, the camera didn't capture anything like what I saw.

This is the best approximation I can manage. But it still doesn't do it justice.

I was hoping I could get home in time to grab my real camera and capture this strange setting sun, but it dipped below the horizon just as I pulled into my driveway.

I then started problem solving how to get the new mailbox in place with the items I purchased. And I was on a deadline because I have no clue what happens when the mailperson arrives and they don't have a mailbox to put the mail in. Do they just throw it on the ground? Do they get to keep the mail? Are they going to use all of my grocery coupons?

And for some reason, my post office does not keep a consistent delivery schedule. I've been trying to figure out a pattern for weeks and they just seem to come "whenever" and that is about as close as I can pin it down. Which is why I got the mailbox sensor.

Due to my near fainting episode in Home Depot, I was in no shape to be handy, so I was trying to think of a temporary solution to put the new mailbox on without properly mounting it. At first I was going to just wrap it in packing tape a bunch of times. But then I noticed I had a bunch of string. And I decided that was a more interesting solution... for reasons? My brain was still not doing well. But when I tried to tie the new mailbox to the post with the string it failed miserably. And I realized the packing tape wouldn't work either. The mailbox did not sit flat on the post and it wiggled. However, because I tried the dumb string method, I discovered this wiggle issue and it actually helped me figure out how to mount it.

I gave up for the night and decided to hope I could install the box in the morning before "whenever" happened. The next morning I started drawing dots on boards and comparing my old holes to my new holes and measuring clearances. (Measuring without lasers like a chump.) I needed to elevate the mailbox in order to mount it and that's when I thought to combine the board and the plate. I could screw the board into the old holes and then create new holes in the board for the plate to attach. And the plate lined up with the holes in the bottom of the new mailbox.

EASY!

It was a pretty big brain moment for me and I felt like I just solved quantum physics or something.

You're probably pretty confused because you are not as smart as I am.

Here is a diagram to help.

The board mounts to the post arm. The plate screws into the board. The mailbox screws into the plate.

Or just use string.

Also, how fortunate was it that I stared for all that time and got frustrated and just bought both things?

My next problem was that my drill wouldn't fit inside the mailbox and I couldn't screw the screws in place. So I drilled pilot holes in the board so I could manually screw in the screws with a ratcheting right angle screwdriver.

And the only reason I had one of those is because I use it as a fidget toy. (I like the clicky sounds.)

Another lucky happenstance!

I tried to prepare as much as I could in my garage before dragging all of my tools to the end of my lengthy driveway. I brought along my dad's old rolling walker so I'd have something to transport everything.

But also so I'd have something to sit on while I was installing the new box. Then I wouldn't have another heart episode and need another lie-down.

Seriously, how big is my brain?

I am like the smartest person alive.

So I got to the end of the driveway with all of my tools and my board and my plate and my templates and I realized something was missing.

The new mailbox.

I am like the dumbest person alive.

After a quick back-and-forth to retrieve the mailbox, I got started on my master mounting plan.

I screwed the board onto the post arm.

Then I screwed the plate into the board.

Then I lined up the new mailbox onto the plate.

But as I was doing this, I was kinda sticking out into the street a little bit. And usually that isn't a big deal. Cars can see me from very far away and they were just steering around me. But then two cars came from opposite directions at the same time and I was in a precarious position where I could not move. One car steered wide to avoid me, and for some reason, the other car decided not to slow down but to drive off the edge of the street.

And as they pulled this maneuver I heard a loud thump, followed by a loud pop, and then the sound of hissing getting farther and farther away.

Like a snake version of the Doppler effect.

They drove directly into this and popped their tire.

On the one hand, I felt a little responsible and guilty. On the other, it is not my responsibility to fix the street. And on a third hand, that was silly driving behavior and perhaps they will see this as a learning moment.

After processing what just happened I got back to the task at hand. To my delight and surprise, all of my planning and problem-solving was working. Everything fit together perfectly. The right angle ratcheting screwdriver was screwing in the screws. And after I tightened the final one...

I had successfully installed a new mailbox, on my own, without any jankiness or tape or string.

Like, I did this legit proper.

Tons of pure endorphins rushed into wherever endorphins go. (Again, I am very smart.) That feeling of accomplishment was pure ecstasy. I had no idea how to do this and in less than 24 hours I was basically an expert mailbox installer. I took some shots of my work on my phone so I could brag to Katrina, packed up all of my tools, and began to walk back to the house.

And... my heart started beating fast again.

And... I needed to have another little lie-down in the grass next to my driveway.

I stared up at the sky and was frustrated and proud simultaneously. A weird mixture of emotions. At the time I didn't know if my heart could be fixed. But thankfully I had my sense of accomplishment to temper my heart sadness.

And then I thought, "I should get a new address sign."

Epilogue time!

I got on Amazon and started looking up new signs. And I found one that was solar powered and lit up at night. So clearly I needed to have that one. My midnight food delivery people will never struggle to find my house again!

And it actually looked pretty neat.

(My address is not actually four 0s, but you are free to try sending me something.)

The sign was very easy to read... if you were super duper close.

But if you were farther away...

You couldn't actually distinguish the numbers. And it kinda looked weird next to the mailbox. And headlights made the numbers even harder to see. Which was the opposite of what I was going for.

So I opted to get a more traditional sign.

(Please send items to the realm of nothingness. I am in the void.)

But this bugged me because the sign was a different size than the old sign and the connection points didn't line up perfectly.

I HAD A CATAWAMPUS CHAIN!

WHICH IS THE MOST UNACCEPTABLE KIND OF WAMPUS!

It was at this point that Katrina started making fun of my perfectionism.

But this wasn't perfectionism for perfection's sake.

My Dad was having trouble fixing things around the house. And some other kids knocked over the previous, previous mailbox. And he found the strength to go to the store, get a new one, and install it all by himself. He was at the end of the driveway, attached to his portable oxygen canisters, and fixing one last thing for this house.

And I guess I just wanted to get it back to perfect. Because he never did any handyman task half-assed. He was a full-ass handyman. Always.

So... I fixed the sign.

Perfectly balanced.

Again, feel free to send me stuff to 0000 Road.

I'm sure it will get here... "whenever."

[dolicekiss]

Hey,

I love your writings.❤️Keep it up!

Could you please write a Gellert Grindelwald (Mads Mikkelsen) one-shot, where the reader is Newt‘s sister and an auror at Macusa. He has plotted for years to finally get her and while on an undercover mission, his followers kidnap her. She soon realizes how obsessed he is and try‘s to use those feelings against him. Her plan is to give in on his affection to earn his trust, but it goes further than she thought?(with smut,where he tries to babytrap her?)

♡: thank you so much also this is my first time writin about gellert grindelwald, i hope u like it

A beautiful butterfly

PAIRING: Gellert Grindelwald (mads mikkelsen) x auror!reader

CONTENT WARNING: smut (18+, mdni), kidnapping, power imbalance, obsessed gellert, young reader (age unspecified, gellert is 46), unprotected sex, body worshipping, teasing, baby trapping, breeding kink, praise, a little unhinged gellert, dubcon, kissing.

SYNOPSIS: Being Newt’s sister is prideful for you but it also comes at a high risk. Especially when you’re also an auror often going on undercover missions. All comes crashing down when you're kidnapped by none other than the brainwashed followers of the strongest wizard — Gellert Grindelwald. Realizing he's completely obsessed, you try to outsmart him but the consequences to that come with a heavy price to pay.

Wizards were strong, so were witches.

Being the sister of a renowned wizard and an auror working at MACUSA, you had your own reputation to uphold. Often going on undercover commissions and assignments for the congress you worked for.

Just like that, you were out on an undercover mission once more to bring back information regarding one of the most dangerous beasts — having escaped your brother’s suitcase once more.

You hadn't expected to be caught red handed rummaging through the little drawers, in hopes of finding some knowledge about the beast’s origin. Your wand stayed firm in your hand, fingers flicking through the pages of books.

Not a single person knew where the beast had gone to, hence the ministry sent you to look for him. You were the best at being a sneaky little spy, so when you were apprehended by a flock of dark wizards and witches, it left you flummoxed.

Your endeavor to flee proved to be futile when they somehow took your only protection from you, the wand. There was no point in fighting them. They overpowered you and you were in no mood to be turned into an orb cursed to roam the earth for all of eternity.

Or worse, a frog.

Your vision was concealed with a dark blindfold. There was no way you could see where they were talking you but you knew they used their teleportation to deliver you to whoever that commanded them. Confusion had clouded your mind — hoping that this captivity was based on a simple misunderstanding.

Your pleas fell upon deaf ears.

They didn't harm you, only telling you to keep your mouth shut and not make noise. There was no way you could tell where you were and when all the noise swirled into silence, your blindfold was pulled open.

In front of you stood Gellert Grindelwald, most probably the strongest dark wizard of all time.

You'd seen him and what he could do. He'd proved himself capable and strong when half of the aurors at MASUCA left and converted to his side. The tales of it were all known but you were never a part of it. How did he get his hands on you and why did he? When all of it happened, you were tending to other needs of the ministry.

If his intention was to also manipulate you into switching to his side, that wouldn't work at all. You were loyal, a firm believer in keeping humanity safe and oblivious to the magic that breathed beneath the earth’s core.

You analysed your surroundings.

The room was beautiful. High, beige colored walls. Spectacular carvings decorating the ceiling and the massive chandelier hanging from it gave away at the opulence of this room. The curtains were made of smooth georgette, keeping away the lovely moonlight from illuminating the room.

Candle holders were everywhere, on the drawers — to the vanity table. Your breath shuddered at just how breathtaking the room actually was.

“Do you like it?” He asked, staring at you with the same gaze with which you scanned the room.

You took a step back, calves coming in contact with the bed. “What?”

“The room. I got it decorated for you, do you like it?” You licked your lips in nervousness, staring at the man in confusion. Did he give all his followers such rooms, such beautiful rooms? Is that why they were this influenced into following him?

You blinked at him. “If you think by presenting me with such a glamorous looking room, I will give in to you then you are absolutely wrong. I have and will always be loyal to the Congress.”

Your voice was hard, tone stern as you stared at him with furrowed eyebrows. Gellert let out a small laugh, shaking his head at you then he closed some of the distance between the two of you by stepping forward. Your body reacted by pressing your calves deeper into the bed.

“I could never, my love. How dare I to win your love by such meaningless little presents?” You blinked, again. Dumbfounded by his choice of words.

The sparkle in his different colored eyes was glinting. “It is only to maks you happy. This, and all the other gifts I have prepared for you, my love.”

“Grindelwald, do you believe you can make me join you by manipulating me through your affections?” You asked, a finger pointing at him. Your tone was laced with pure venom. This was the enemy, not someone you could possibly have a love affair with.

And why was he even talking to you like he was madly in love with you? This made no sense to you whatsoever. Gellert stepped towards you, hands intertwined behind his back.

“It is no manipulation. You have captivated me ever since I saw you with Newt, and all the other aurors of the Congress.” His words were of pure deceive, you thought you knew that but you were oblivious to the raw obsession which had blossomed for you in Gellert’s heart when he'd laid his gaze upon you.

Gellert inhaled a deep breath, shutting his eyes shut when you bit on your lower lip in a moment of frustration. “I have searched everywhere for you, my butterfly. I put hold on my ambitious and goals to look for you and here I have you finally.”

From Gellert’s expression, he appeared entirely drawn and infatuated. This was a spell which you'd unknowingly put on him, one you didn't know how to take off him but as a loyal auror to the MACUSA, you could use this to your own advantage.

And so a cunning plan cooked in your mind.

“You mean to tell me you're in love with me?”

Gellert shook his head. “I'm gone far beyond that, to the point of no return. I mastered dark magic to a dangerous extent just to locate you.”

You felt your skin crawl at his words. This was something dark — something that could swallow you whole if not careful. Your gaze lingered over to his face, holding unwavering eye contact with him. “If I don't reciprocate these emotions, will you burn me like how you burned those other aurors?”

Your words a poisonous reminder of his past actions. Newt had told you how him and the aurors barely managed to survive Grindelwald’s dark, fire magic. It had almost managed to consume them all and you were apprehensive to meet the same fate.

Gellert’s eyes softened. Eyebrows dropping, akin to a puppy. “Rest assured, my beautiful butterfly. I could never inflict such harm upon you ever. You can take your sweet time.”

A smile had ceased his features.

Instead of responding to him, you sat down on the bed. Knees bunching up to your chest, in a hostile position. A sigh dropped from your shuddering lips and your eyes trailed up to his face.

“Will you keep me locked up in this room?”

Gellert’s blue eye twitched. “Absolutely not. I wish you to roam the perimeters of my fine establishment but, you mustn't escape and in order for that to happen, I will have to trust you.”

Your eyes dropped to the marbled floor. It reflected the yellow candlelight as you sent him a slow nod, suffocating the conversation right then and there. Begging him to release you would hardly work in your favor so you decided to play smart. Returning his affections until you'd win his trust was the route you chose for yourself.

But you didn't know it would end differently than what you'd anticipated.

— ♡ —

Gellert kept you locked in your room for days, only visiting when he brought you food or other basic necessities. You were beginning to miss the feel of your beautifully sculpted wand between your fingers albeit the awareness of never receiving it ever again tug at your heartstrings.

You couldn't tell how long it had been.

Surely had to be more than two weeks.

A knock on the door interrupted your thoughts and you gave your consent. Gellert had respected your privacy, as obsessed and infatuated he was. He'd never dare to barge into your room without your permission but that didn't mean he would stay behind the closed doors for a long period of time.

An auror entered.

You knew that because it was the same auror which used to work under MACUSA at one point, the same auror which would bring you your meals when Gellert was not available to tend to you. You'd expected a tray of all sorts of edible flavoursome pleasantries decorated on a tray but the woman's hands were empty.

“He's waiting for you at the library, if you'd follow me.”

Your eyes widened in an elemnt of surprise.

Finally you were being let out and you couldn't contain the excitement within you. Still you tried to stay cool in front of the auror, nodding at her as you moved in pursuit of her. Through bright and moderate hallways — nothing could compete with the inside of your room and its walls.

A beautiful golden cage.

For his beautiful butterfly.

As you entered the library, your lips were agape. The view before you was the most beautiful ever. You'd expected a dull library, one you had back at your work place but this? This was completely captivating. A spectacular view of the sea greeted you through the large window. Gellert stood by the parapets, staring ahead.

Your heart beat picked up.

When he felt your presence, he was quick to turn around. A smile plastered on his face upon seeing you, silver locks neatly combed to the side. You slowly walked upto him, hesitation clear like crystal in your movements and Gellert couldn't wait for you to fully accept him.

You'd been obedient.

Ate your meals on time, listened to him, conversed with him and he could feel a sense of camaraderie had formed between the two though he ached for more. Friendship was not what he aimed with you. There were unnerving desires flogging within his core and he needed to set them free.

“Come here.”

You stood closer to him, hand on the glass railing. Your eyes ran across the potent waves of the sea crashing at the shore, and calming down. It was a repeated sight but you couldn't have enough of it.

“Its a beautiful sight, no?”

You nodded to him, focusing your attention on Gellert. “Yeah. It's breathtaking.”

“Nothing compares to you.” He so casually said and you wondered just how did you even manage to become the object of his affections and desire? It was hard to believe that he fell for you in a simple glance. Love at first sight coming from a dark wizard was of amusement.

Yet you didn't say anything about it.

“Gellert.” You called out, sharply taking in a breath. “Why me? I'm the sister of the man who seeks to destroy you. It is only natural for you to dislike me too.”

“We're wizards and witches, my butterfly. There is nothing natural about us.” He scoffed, shaking his head.

But he hadn't answered your question and he noticed the disarray on your face. Gellert’s hand lifted from the wood nailed into the tempered glass railing, reaching to cup the side of your face. Thumb settled over your chin in a gentle touch.

This was the first time in the two weeks you'd been here when he touched you.

His hands were cold, like he had no blood pumping through his veins. Your lips shuddered at the spark contrast of your warm skin against his cold blooded hand.

“You're kind.” He said, like it was the most beautiful thing ever about you. “You're so full of kindness and love for these animals, these filthy animals. Knowing you'll always be above them, be superior yet you protect them like they are your own.”

Your head tilted, bemused. “Don't you find them less than you? If you look down upon them, why did my kindness towards them intrigue you to the point of capturing me?”

Gellert’s eyes wandered. His other hand formed into a fist when he noticed how you gulped, the subtle movement of your throat sending him into a whirlpool. A turmoil of poorly contained desired and wanton exploding. The way your lips shuddered when he touched you. To you, he appeared calm and collected but on the inside Gellert was fighting his own demons.

“Because if you're so kind to love the muggles, you'd be kind enough to embrace me too.” The soft feeling of his gentle strokes over your cheek almost made you forget about everything.

The cunning plan. Winning his trust and escaping him was put on halt in that moment when Gellert stepped closer to you, face only an inch apart. His lips hovered above yours and you inhaled — warm breath mingling with his cold one.

He took your lips into a sweet kiss and you allowed him to, all a new step into the plan. To use his own feelings against him, find a way out and never look back. If you were to fight your way out of here, Gellert would end you with one swing of his wand. He'd mastered magic that was beyond your understanding even.

His other hand moved to hold your waist and you sighed into the kiss, tilting your head into giving him more access. Gellert’s tongue pried open your mouth for him, slipping into the warmth your cavern had to offer him. His tongue battled with yours but you'd already given up on winning, letting him consume you.

Before it could increase, evolve into something way past your comfort level, you retreated. Gellert’s hand ached to tighten around your waist but he held back, holding onto the tethered pieces of his self control.

Your chest rose up and down, the kiss having left you in a daze. You took a few steps backwards and then turned around, running out the library back to your room. Gellert not following you was a hint that he had finally begun to trust you.

You found yourself in the same room. Fingers trailing lines over your lips, a feeling best foreign to you spreading in your chest as well as stomach. You didn't know what was going on but there was only your freedom on your mind.

And the kiss.

The sweet kiss.

You were torn between following up with your plan and submitting to the sweet kiss. This was confusing and you dropped onto the bed, burying your face within your pillows.

— ♡ —

Days passed after the last encounter with him which included a kiss. He would come by, only for a few moments. Gellert would try to build conversations with you, in hopes that one day you might welcome him with open arms. You'd respond too, to slowly slither your way underneath the cloak of his trust. It wasn't such a difficult task because soon, Gellert had sent one of his followers with a dress for you.

The auror had placed the box on the bed and with the simple instructions to get ready and meet her outside, she left. You were baffled but still peeled open the nicely packed box and it revealed a beautiful dress.

A pale one, off shouldered with puffy sleeves and layers of fabric. You zipped yourself into it after a shower and then left the room, the woman leading you to a garden you didn't even know existed. Filled with magical beauty, you were in complete awe.

A table had been set. Decorated with all sorts of delicious looking pleasantries. The fairy lights illuminating the furniture was such an endearing sight. You walked further and found Gellert standing there and when he saw you, he extended his hand out for you.

You held onto it.

“God, you look absolutely breathtaking. I could devour you instead of my meal.” His comment caused the blood to rush to your cheeks. His thumb caressing the side of your hand as he lead you to the table.

After taking a seat at the table, Gellert also followed and sat across you. The dress made you appear nothing less than a beautiful fairy that had lost her way here. Grindelwald was completely enchanted by you — his hands and body aching to become one with you.

“I prepared this for you, for us, my butterfly.”

You nodded in acknowledgement.

Honestly no one had ever done this much for you. You had partners in the past but this? They could never reach Grindelwald’s level and it only worked to perplex you further.

You both started to eat.

“Do you like the food?”

You nodded. “It's very flavoursome. Thank you, Gellert.”

Everytime you said his name, he felt the chills in his bones. He often pondered late at night how you'd sound like when he's inside you, when he's completely buried deep within the warmth you had to offer. Gellert had appeared nothing less of a gentleman to you but only he knew of his deepest, most sickest desires for you.

Your voice was so soft.

An ache in him grew to hear you moan.

You both enjoyed your meal in silence and you reached over to grab a strawberry from the silver bowl, bringing it to your lips. You took a bite, relishing in its taste as a moan escaped you. Grindelwald was over the moon.

If these were the sounds you were supposed to make, his pants were already tightening.

After a moment, you two had finished eating and Gellert rose up from his seat. Sauntering towards you and holding his hand out for you, to hold.

You slipped your hand into his and stood up, walking in pursuit of him. The man lead you somewhere deep into the garden, a pathway made of stones that you carefully maneuvered your way on. Behind the bushes was concealed a bed — with see through pale curtains falling from its side. It had no roof over it, an unlimited view to the sparkling open sky.

“Gellert?” You asked, in burning anticipation.

He didn't listen to you, only pulled you along to the bed. He sat you down and then took a seat next to you, his hand still holding onto yours. “I've got something for you.”

He snapped his fingers and then multiple butterflies, in all sorts of colors, came flapping their wings. Your eyes enlarged and a smile automatically made its way to your features upon the sight. They were so beautiful and you loved how they moved their wings, a black butterfly with a holographic blue wings setting on your thigh.

You didn't touch it.

Only watched it.

“Gellert they're so gorgeous.” You whispered, impressed by this act of his. The butterflies had covered the area and you couldn't help bit try to capture a few, bridled by their beauty.

“Makes you want to capture them, doesn't it? How beautiful they are. You wish to keep them in a cage, only for you to look and touch.” Grindelwald had just given you and shown you a perfect example of your own situation and how he felt for you.

But you were a human.

A butterfly was a — butterfly.

Yet you couldn't help the guilt from spreading.

You stared at him, as the butterfly flapped its wings in front of you both. Gellert leaned forward, once again grasping your lips with his own. This time he had no intention of letting you leave.

His hands fell down to your waist, caressing it through the fabric. Lips wrapping around your lower lip, sucking on it like it could produce nectar at any given moment. Your back arched into the kiss and he immediately took that as you wanting more.

Gellert’s hands flew to the zipper of your dress, tugging it down. His fingers caressing along your spine in the process and your bated breath mingled with his. His tongue swirled around yours and when the dress dropped down to your waist, you gasped.

Your breasts were exposed and Gellert broke the kiss to admire them. He looked at you and you fought the urge to allow him — knowing that this was going too far into the plan you'd cooked up in your head. These were the consequences to your own actions.

“Gellert, please wait.” You breathlessly said.

He stopped. “Don't stop me now. I have waited years to have you.”

Before you could oppose, Gellert had already taken your breasts into his hand. Fondling the fat – playing with it. His fingers pinched and tugged and your lips released soft little whimpers. His hands were cold as ice and a hiss left you.

He took one erect nipple into his mouth as he undid the black bow at his tuxedo, letting it fall apart. Gellert sucked while toying with the other one and panic flooded in. You couldn't possibly let him go further with his, knowing that it wasn't your plan to do so but denying him right now could lead to suspicion.

As you tried to think of ways to make him stop, the desire burning in your core soon sheened your brain. Your hands hesitantly reached to tangle in his hair and feeling that response made Gellert act out more.

A form of consent, he took it as.

But in reality you couldn't do anything other than submit to the pleasure.

“You've got such a beautiful body.” He commented, hands dropping from your breasts and cupping your waist. His hands caressed your skin like it was a rare gem found among coal — only for the most fortunate ones. Your spine was erect and then Gellert pulled back.

His hands pushing your body down and you allowed him to, having no escape. The cold air mixed with his icy touch only worked as his allure. Gellert rid you of the dress, unveiling your glorious frame to his desperate gaze and he sharply breathed.

Chest rising up and down.

“Undress me, butterfly.” You swallowed, nervous at his command of your indulgence as well.

Your arms extended, fingertips pushing off the black coat off him. Gellert noticed the tremor in your hands and he couldn't care anymore. He'd waited years for this moment, to finally get his hands on you. It was cruel of you to expect more wait from him.

Your fingers undid the buttons of his white shirt and pried it open, exposing his broad chest. Gellert took one of your hands into his, bringing it upto his lips to deliver a firm kiss to it. Your heart beat fastened at that action.

Hands tugging at the buckle of his pants, you undid it and then tossed the belt somewhere in the garden. Gellert’s fingers caressed along your thigh, gently tapping at the exposed skin, gaze hungry and full of lust. Your breath hitched when he opened you to him, exposing your cunt.

You felt deeply ashamed of the saturation that had occured in your cunt.

You were an auror, a loyal auror to the Congress but here you were, involved in such sin with the dark wizard. The one who'd killed many of your colleagues and wished to change the order of the world.

Gellert slipped his own pants off along with his briefs. You were two naked bodies about to entangle and the idea terrified you. How could you ever possibly go back from this? Bring yourself to forget about this when its done?

You braced yourself in the name of a small sacrifice for an eternity of freedom.

Gellert’s hand found its way between your thighs and you let out a broken breath. His fingers trailing over your cunt — collecting your arousal. He was pleased with what he saw.

You were such a gorgeous girl. Laying before him with the moonlight illuminating your each feature, each flaw, all the beauty spots you had. Your hair like the waves of the sea, sprawled across the bed akin to vines that had trapped Gellert in their tight embrace. The constant twitching of your lips, the way heat prickled your cheeks and turned them beetroot. Gentle strokes of red paint over your canvas like skin.

He leaned forward to occupy your lips in a rough kiss.

He was a fucking mess and the grip on his self control was beginning to become lose.

Gellert’s fingers were coated in your slick and then he entered your pussy, swallowing the whimper which escaped you. His finger alone filled you and when you'd grown used to it, he added another one all while consuming your tongue.

You tilted your head to the side, your arms moving to wrap around his nape. Gellert fucked his fingers into your pussy, loving how tight you were. He could only imagine how delirious he would feel once he was inside your sweet cunt.

“G-Gellert.” You whimpered into the kiss, trying to break apart. “I can't breathe, Gellert.”

He didn't care. You could tell the man was losing any ounce of self control he once possessed, his lips pressing up against yours in a tight kiss. Spit coating your swollen lips and you gasped, to inhale, only for him to push his tongue inside your mouth. Roaming the warmness of it, he was kissing you feverishly.

His fingers plunged in and out of you and your back arched off the sheets. Your cunt throbbing due to the sensation being delivered to it. He curved his fingers and pushed into the gummy spot — a shriek breaking through you in the lip lock.

Gellert broke the kiss to breath.

As he stared down at you, he couldn't help but grow painfully harder and you swallowed when you caught glimpse of that. You could practically feel his cock against your knee and you sighed at the feeling.

“One kiss and you look like you'll pass out at any given moment.” He whispered, loving the way your lips puckered up and redenned over s single kiss.

A single, vigorous kiss of raw passion and infatuation.

“That wasn't a kiss.” You breathed, touching your lips with your fingers. “I-It felt like you were going to eat me at any second.”

Gellert chuckled at your words. He was glad you could feel his love for you through his actions. He was conscious about not possessing enough affection for you to acknowledge his love but he was pleased that you caught onto it.

His fingers worked their way, to prepare you and your arms flew back to his nape. Breath released in shattered little whines as he now added another form of pleasure by massaging your clit. The nerves being stimulated sent you to a different world — back rising from the mattress and lips falling apart.

Gellert felt you tighten.

“Going to cum, sweet girl?” You nodded at him, your thighs shivering.

Before you could chase after your release, he stopped. You whined in frustration, staring at him through hooded eyes. “W-Why?”

After asking him that, you wanted a void to open up and swallow you. You were not on his team, not a part of him, how could you beg for his touch? A release from a man like him? It all tore you apart and confused you.

“You're going to cum with me. On my cock, my beautiful butterfly.” He whispered, the gleam in his blue eye giving away his desire.

You shuddered when he pressed the fat head of his cock against your clit and you whimpered at the contact. Gellert licked his lips, dragging his head down and soon entering you.

The moment he did, you threw your arms around him. His hips pushed forward and his cock fully sunk into you. Your back arched when you felt him glide against your walls — your sinful arousal helping him in the process of it. Gellert couldn't help he was finally one with you.

Body entangled with yours.

Gellert brought his hands to cup your face and stared down at you, face at a close proximity with yours. He stared in your eyes, gaze flickering between your lips. “You okay?”

You nodded. The stretct of his cock had you delirious and you gasped when he moved inside you. Pulling his cock out only to slide it back inside. A constant rhythm of suppressed desires. “It'll feel good, my butterfly. I'll make sure that I please you first. I'm a selfish man but not when it comes to the pleasures of the woman I love.”

He leaned forward to kiss you and you, to your own shock, gave in. Letting him to kiss you like his life depended on it while the pace of his thrusts picked up. Gellert’s hands fell from your face, falling down to grip the curves your body you had to offer. Hands trailing up and down.

He felt as though he was in the presence of a goddess.

Tilting his head, he kissed you with profound fervour, as if to embed you with his taste. Gellert’s tongue occupied your mouth, teeth crashing with teeth. The kiss grew intense and so did the movement of his hips as he drove his cock into you. Thrusting and then you cried out in the moan when he fucked into you a little deeper.

He grinned.

He'd found that spot of sensitivity.

He broke the kiss to witness you all before him. A broken beauty that was finally within his grasp and there was no way he was ever going to let you go. He couldn't believe you'd come to him this easily, this willingly and all of it felt like a dream come true.

Gellert stared at you, admiring you.

“You're so beautiful, it makes me want to give you a child.”

Your eyes widened at his words. In a fit, you attempted to push him off you but Gellert was so blinded by his delusions, he only saw it as your excitement to build with a family with him. His demeanor changed — becoming darker as his hands gripped you by your hips, driving himself into you.

Your little hands tried to reach for him, leaving minor scratches at his shoulders. Gellert was completely far gone, there was no stopping him at all.

“G-Gellert, no.” You managed to stutter out through moans and whimpers.

He ignored it, thinking it to be an imagination.

You were regretting everything. You shouldn't have went ahead with this stupid plan. If you'd shown resistance from the beginning, none of this would've happened. Gellert wouldn't have thought of you to be this pliant and maybe he wouldn't have done this.

A big maybe.

The man was sick. He was going to have you one way another. You being pliant only made things easier for him and upon yourself.

Gellert’s grip tightened as he delivered harsh strokes. With utter determination to get you pregnant. If you were witu child, his child, you wouldn't possibly think of leaving him. Things would be different and everything would fall in his favor.

Your cunt clenched, still on edge from before and he hissed. “No, sweet girl. You will not cum until I am close. We will cum together and I will give you my child, a symbol of our love.”

Tears fell down.

Whether as seeds of your resistance or your pleasure. Unbeknownst to you and Gellert, he felt himself come closer to you.

But then he stalled, picking your leg up and placing it over his shoulder. His hands held your pelvis and his thumbs dug into your skin as his thrusts grew rougher, more firm. You sobbed, stomach tightening and reflexing whenever he slid across your walls.

Gellert groaned. Your pussy gripping his walls, not letting go. A greedy cunt you possessed and Gellert couldn't wait to fill it to the brim with his seed.

“Wish I'd find you sooner.” He grunted, “we would have a child by now but worry not my butterfly, it isn't too late. Is it?”

He was actually expecting you to answer when you were on the brink of falling apart. The irony of him.

“Is.” Gellert thrusted, fucking deeply into you with vigor. “It?”

You shook your head. “N-No. Never t-too late Gellert.”

He nodded his head in satisfaction, leaning down to press a sweet kiss to your lips. He felt his balls throb, and you felt his cock twitch inside you. Gellert was close and he smiled at you, silver strands of hair hovering over his sweaty forehead. “Ready, yeah? Ready, my butterfly?”

He was breathless.

Panting like the same beast that you were supposed to find.

You nodded, desperately. Cheeks blooming a red hue and tears wetting them. Gellert’s thrusts slowed down, as he felt his load seep into your cunt. He filled you to the brim, balls hot and throbbing to produce more. You also unraveled underneath him, eyes rolling back to your skull and chest heaving up. Chills danced across your spine as the blood rushed through your veind. Your whines echoing in the garden in contrast to his animalistic groans.

Gellert twitched, feeling how painfully tight your sweet cunt had gotten around him yet he could only find pleasure in it. Enjoying in the vice like grip. Your greedy pussy sucked him in, drinking each drop of his load, milking him dry.

“Yes. Yes, my love. Take my cock in your cunt like that, milk it fuckin’ dry. You'll make me a father, won't you, my sweet girl?”

There was no point in resisting him. You nodded your head as his hand reached down to cup your cheek, lovingly caressing it. You subconsciously leaned into his touch, an insatiable ache spreading in your chest for it.

When he'd filled you enough, Gellert pulled out and watched as his load dripped out of your gaping hole. His gaze lingering upto you and loving how fucked out you seem. Your arm was over your face, in a shameful attempt to veil it and Gellert reached for it, moving it aside.

“Don't hide yourself from me. You belong to me and I belong to you. There is nothing that should be concealed within us.” He laid next to you, pulling you into him. The hair on his chest slightly prickling against your skin.

You couldn't believe what you'd just done and committed to.

That too with Gellert.

Fucking Gellert Grindelwald.

“Our child will be the strongest wizard or witch ever. I'll see to it.” Gellert pressed a kiss to your head, hiding his face in your neck. The butterflies had disappeared now, the fairy lights dimming on their own.

Darkness consumed the area.

And you too lost yourself in Gellert’s warm embrace. Forever torn between your loyalty as an auror to MACUSA or the ache to be with Gellert.

[giantmushyfriend]

Welcome back to the Ineffable lyric discussion (can I hear a wahoo)

In honor of the announcement of season 3 of our beloved Good Omens, I find it completely necessary for us to discuss one of the many songs on Aziraphale and Crowley's angelic playlist that made me scream my bloody head off. One of those songs is the one and only The Book of Love by Peter Gabriel. While I UNDERSTAND this song may have just been chosen to spell out SEASON THREE, I think it goes much deeper than that because of all of the parallels it draws to Aziraphale and Crowley. And ultimately, what I think is going to happen in terms of their relationship when they finally sort their shit out. So beware if you haven't watched season 2 of Good Omens because we're about to do a fucking DEEP DIVE into this.

First, the title of the Book of Love feels almost like a call to this looming threat to the Book of Life that was consistently used in series 2. The entire season, Crowley and Aziraphale have to work oh so carefully because with the Book of Life being confirmed, they know that either of them could get the other erased, and whether they want to admit it or not, losing the other is their biggest fear. We've seen this when Crowley believed Aziraphale to be dead in Series 1 when he couldn't feel Aziraphale's presence anymore since he got incorporated. When Aziraphale isn't there, Crowley is a mess. Likewise, we saw how both reacted during the ineffable divorce scene in series 2. Crowley is full-on begging Aziraphale to stay, and Aziraphale has finally admitted that he needs Crowley and full-on mouths for Crowley not to leave him. The Book of Life inherently, from how Neil set it up, feels threatening. The Book of Love, on the other hand, raises an entirely other reaction. Throughout the series, as corny as it sounds, love has been what grounds our protagonists. It is the love of Tadfeild and his friends that keeps Adam from kickstarting the end of the world; it's what keeps him from rejecting his father, the literal devil. It is the love of the earth, of humanity and all its strange creations, and for each other that keeps Aziraphale and Crowley attempting to prevent the end of the world when it could be so much easier to just accept the fate of it all. Love is the key theme that grounds our protagonists, that makes them tick. Love is safe; love is, at times, painful but overall kind. So when we see this title on their playlist, listed amongst heartwrenching tales of grieving a relationship, you could have had, and of loss, it brings a sense of salvation and safety. The Book of Love, unlike the Book of Life, is not a threat- it's a sanctuary for Aziraphale and Crowley.

Now, diving into the lyrics.

"The book of love is long and boring

No one can lift the damn thing

It's full of charts and facts, and figures, and instructions for dancing

But I

I love it when you read to me.

And you

You can read me anything"

The first couple of verses inherently feel like Aziraphale and Crowley's original view on this notion of love. As two supernatural entities who aren't bound by human emotion or logic, love may seem superficial and downright silly at times. The courting procedures that different societies have taken on throughout the centuries and the songs and dances that come along with it may all seem like a big waste. The book of love is a manifestation of love itself, and originally, it seems unappetizing to our protagonists. That is until they refind each other, and love goes from this thing that humans feel and jump through hoops for to this tidal wave of emotions. Love felt silly and unrealistic before, but with each other, they are willing and excited to explore it, even if it comes with things that feel inherently silly.

Also, these verses draw some cute parallels to headcanons and features of cannons. If you've been involved in the Good Omens fandom long enough, you've probably stumbled across the idea that Crowley asks Aziraphale to read to him for a multitude of different reasons. Some people say it's because his eyes aren't meant to read, one of the many punishments that came with him being cast down from grace, or maybe it's just because he finds Aziraphale's voice comforting. Additionally, the line about instructions for dancing is just so heartwarming when we look at the ball scene from this past season and Aziraphale's daydreams of a romance worthy of a Jane Austin novel.

"The book of love is long and boring

And written very long ago

It's full of flowers and heart-shaped boxes

Adn things we're all too young to know

but I

I love it when you give me things

and you

You ought to give me wedding rings"

I'm sure we've all heard this idea that you'll understand love when you get older, but even when you get older, it never seems to make sense. This idea that love is too old for any of us to truly understand, and that humbles us but in the best way possible. There is no point in trying to figure out what exactly love is because you could spend thousands of years feeling it and watching it happen all around you and still not know exactly what it is besides this all-encompassing feeling. And that is exactly the perspective of Aziraphale and Crowley. They have seen countless examples of love, true, unwavering love, and they have felt it for each other. And yet they themselves cannot begin to fathom what love, true unconditional love, is exactly. These two supernatural, ethereal/occult beings are humbled by the very concept of love like humans are- and that love is drawn from each other.

And then there is this notion of giving, which pairs so well with Crowley's primary love language, acts of service and gift giving. If the first chorus was Crowley talking about how he loves it when Aziraphale reads to him and takes care of him, then this is Aziraphale talking about how Crowley displays his love. And this final notion of asking for that final commitment, one of the key ways humans express their love for each other, is just amazing. Because in a way, Aziraphale moving to make this commitment, to fully be on their side in this way, is the resolution we have been wanting since the beginning. For Aziraphale to finally feel safe enough to let go and finally let himself settle to where he finally belongs, on his side with Crowley.

[thelordfool]

HELP ME PLEASE!!!!!

Long story short: I'm unemployed and will not, unlike what I originally thought, qualify for unemployment benefits.

Please read the readmore for additional context on why I'm unemployed. This post is basically a continuation/update/redo of this post. I'm suffering a sickness with no medicine the past week, applied for almost 100 jobs the last two weeks, am disabled/queer/nonbinary/tired of ebegging. I'm also in the negatives in my bank account because my car payment came out, so I need to get that covered.

pp/vm/ca

$250/$1151.51

i need at least $511.51 of this by the first. please spread if you're financially unable to help, every person this reaches helps! here's the breakdown of the costs: $640 - car payment + late fees $380 - rent $131.51 - negative amount in bank currently

Oh hey thanks for stopping by to read this annoying tale of woe and being angry at capitalism. Prepare for wall of text.

I once had two jobs. The first job, at a chain restaurant, was a bit of a clique-y experience where I was working my damndest to be the best bartender they ever had. I still have all the cocktails memorized. However, I continually faced discrimination in the form of severe misgendering, no matter how often I corrected them. I was also set up for failure. Usually, when someone gets hired for a position, there's some amount of training to be done, no matter how experienced they are, right? I was going in nearly entirely inexperienced into the role. I knew how to make cocktails, sure, and was and still am very good with people and selling. But I was trained for two days. Two. Then, on my first night alone (a Friday), I was watched by one of the bigwigs at corporate who saw every little flub and failure. This caused a demotion-ish. I was demoted to barback but was allowed the same privileges. Until their next visit. That upset the hell out of me - I was well trained by that point and could do it all, with one hand tied behind my back. I digress. It was about 2 months following my demotion when i finally walked out. A new bartender had been hired and she thought I was being a total creep by looking at a ticket that had just come in. She stormed off to report me to the manager who, even after hearing my side where I had asked her if there was anything on the ticket that I could grab, said that I "needed to communicate better," and "you should be learning from her," and "you're a grown man, you should know better." I don't think I need to explain why that was so upsetting.

But I didn't report them, because I just wanted to be done with it. I was also working another bartending job, and everythign was literally perfect other than the hours, honestly. I loved the product the distillery made, I loved the people I worked with, and most of all: I had my own regulars. Last month, they hired a new hospitality director, who announced there would be some restructuring, including getting rid of servers while also making a full dinner menu to serve alongside drinks. I said nothing of it, despite my disagreements, and she assured us all that no one would lose their jobs, but just moved into different roles. We all kinda grumbled about it, and I told her that under no circumstances would I work back of house. Easy peasy. Till it wasn't, and I came home to a voicemail while on break with my partner that I'd been let go due to the restructuring. So much for no one losing their jobs, right? I hadn't been the only victim of this. I have my suspicions as to why the new hospitality director did these things, but I've no energy to throw around conspiracies. All I know is that I was shafted by both of these places and I'm tired of being broke. I'm applying, still going to fight, and... sigh.

tl;dr (why did you click the readmore?): i left a job due to discrimination and lost another due to company restructuring and i'm tired and sad and aaaaa.

[barbatusart]

bit of thinking outloud but for my current tactician run im doing a special wyll origins playthrough im calling the Evil Wyll Run & it’s given me a lot of food for thought about his character (or at least the freedom of psychological movement + exploration afforded to an origin run!)

wyll spoilers abound we’re entering the wyllenium here

wyll always felt a bit underwritten to me - i know that’s partially because there was that big kerfuffle in the 11th hour with changing his whole story and personality on top of having to recast his VA, and frankly hats off to both original VA lanre malaolu & new VA theo solomon for their hard work - both brought tremendous performances, & i sincerely hope mr malaolu was paid well for his work & time even if his voice wasn’t used in the final cut (i would also say warlock as a class itself felt a bit underdeveloped but im 100% OK with chalking that up to me the player not understanding how to play warlock effectively yet lol im more of a fighter barbarian Hit Stuff guy)

but honestly this feeling of being “underwritten” combined with a character with a long history of heroism in his pocket made wyll really interesting to me even in my tav playthrough. for all his accomplishments he still feels like a blank everyman, or like he’s someone who fully believes he’s the main character who doesn’t “need” to do any extra work on himself - and honestly he feels Very much like he could be The Main Character. once his backstory of the son of the duke was revealed too i immediately got the sense of like, rich boy trying to prove his worth beyond his wealth and status by striking out & becoming that hero, or that Prince Charming. basically that perfect happily ever after somebody. and im of the opinion that you don’t get mixed up with a cambion in the first place unless you’re either the kind of naïve “everything will just work out” immature that tends to comes with his status as the son of a noble, or you’re hungering for power. depending on playstyle he’s very easily both of these things

on the naïve front (ie a good wyll playthrough) if anything he feels very believably immature, & from that perspective the events of the game feel as though they’re the prequel to the actual start of wyll's story where he finally finds himself & learns what kind of man he really is. we just dont get to see it alas, but i really enjoyed the thought exercise of somebody still grappling with overcoming his own immaturity. he feels like someone who can still grow and that his tale is just beginning

Evil Wyll (meaning any time mizora shows up he drops everything to enact her instruction & hasnt once tried to find a loophole out of his contract) which ive come to be far more fascinated by is someone clearly vying for power, which is interesting because his noble status would’ve given him all the power he wants had he Played Nice. to me it speaks of someone who wants to be able to take what he wants from life without it being handed to him, which contrasts in a really fascinating way with entering into a warlock pact at all. maybe he thought it was better that it be a decision he made as opposed to nobility given to him by his family ties, maybe there’s still that pollyanna sentiment of “it’ll just work out & ill live happily ever after.” again maybe both. maybe in a sense the fiend, as he calls himself, is a good excuse to shuck off any poor decision he makes or any genuinely heinous thing he does under mizora’s instruction - an identity he uses as power fantasy (and very much in tandem/interchangeable with the blade of frontiers power fantasy) until it means taking ownership for any of his misdeeds, and then a scapegoat.

may be a bit incoherent but im only now hitting act 3 in my origin run & im Really enjoying this difficult characterization ive cooked up for myself lol

[youzicha]

Some quick impressions of translations of Sir Gawain and the Green Knight.

I fell in love with Marie Borroff's translation just from reading the preface, which is very insightful (definitely do read it, whatever other translation you pick!) and also unusually useful for the reader. We don't crucially need a translator's thoughts about what the themes of a story are because we can read it ourselves first, but Borroff talks about the tone (elevated, ironic, playful?) and that is really useful, since it is so easily obscured by time and translation.

Borroff's biography is extremely impressive: before even starting the translation, she spent a decade of her professional life reconstructing the pronunciation and meter of each line and the provenance of each word. Unsurprisingly, the translation is excellent; by the usual standards (accuracy, fluency, transparency/"invisibility") it seems hard to improve on.

Simon Armitage's translation seems to consciously reject fluency and transparency, creating "choppiness" as a deliberate aesthetic effect. Consider for example the use of modern colloquial English here:

and in the other hand held the mother of all axes, a cruel piece of kit I kid you not: the head was an ell in length at least and forged in green steel with a gilt finish

"Piece of kit" and "I kid you not" date the translation to the last few decades, while the "ell" unit has not been used for 400 years. By dragging the reader back and forth in time like this, the translation draws attention to itself. But it is not only a matter of choice of words, we get a similar effect from the ways Armitage breaks up or enjambs lines:

Gawain […] so bore that badge on both his shawl and shield alike. A prince who talked the truth. A notable. A knight.

This was a single sentence in the original, which got "chopped up" into four, including a full stop in the middle of a line.

George B. Pace's translation is the subject of a very charming story somebody posted on tumblr. It is abridged (12k words, versus 21k in the original), and translated into modern-sounding English prose, but if you are interested in the plot rather than the poetic devices it seems like a reasonable approach. I mostly didn't miss the parts he cut, although I do wonder about his focus when he e.g. omits lines of dialogue between Gawain and the Lady but leaves in the decorative filler about the zephyr warming the lands.

I have no particular thought about Burton Raffel's translation, except for one interesting pitfall. He translates most of the poem into prose (although it is kept divided in lines), but the four rhyming lines at the end of the stanzas are translated more loosely in order to make them rhyme. In theory this makes sense: for a modern reader the rhymes and iambs are very salient while we are not very attuned to alliterative verse, so translating just the bob-and-wheel into verse preserves most of the poetic effect.

But in practice it doesn't work so well. First, Raffel just isn't that good at it: Borroff and Tolkien manage to make their translations rhyme while sticking closer to the sense. But more interestingly, the rhyming couplets obviously draw the attention of the reader, and the author uses them to highlight the most load-bearing words, which are often chosen to be nicely ambiguous. The tale is written in 'lel' letters, which could mean that it's true, or only that it is composed in valid alliterative verse. King Arthur waits 'stif'ly to hear a tale or see a wonder, which (says Borroff) could be a heroic "resolute" or an ironic "stubborn". The lady enters Gawain's chamber and banteringly offers him 'my cors', which could mean "myself" but of course literally means body. And what were they doing to that deer? Actually these lines are the parts where you need to be most careful about the meaning.

J.R.R. Tolkien's translation is interesting because he seems to try something different. While Borroff and Armitage try to approximate the effect the poem would have on a 15th century reader by translating into current English, Tolkien uses archaic syntax ("him" for "himself", "we come not" for "we don't come" etc) and archaic vocabulary (the book includes a glossary, which you need to use to understand the translation at all). I think the idea is to capture what it is like for a modern reader who knows Middle English to read the Middle English original, with the particular pleasures of puzzling through a text as a non-native speaker.

Reading this (and even more his translation of Pearl in the same volume) I was surprised by how skilled Tolkien was at verse—he carries over a lot of the formal aspects, and I think his version sounds the best.

[edennill]

In which I puzzle over metaphysical implications as regards the peoples inhabiting Arda

fyi, a certain familiarity with the (predominantly Christian, I think) concept of fallenness/unfallenness is assumed, although it turns out that it doesn't necessarily work here. Feel free to ask for clarifications

So. I'm once again wracking my head as I try to make sense of what I shall call: 'metaphysical states' of elves, men and others, because the subject is emphasised and lampshaded a lot in the books, and I can't force it all to make sense when taken together.

Ainur are a specific case and I should really leave them aside for now. They certainly can fall — and, unlike angels, change their mind, apparently (which goes both ways) — although they do seem to be more all-or-nothing than everyone else. Still, I think as long as one doesn't go into the implications of time and what its existence or nonexistence changes, they're almost straightforward. But then you have:

Elves. The 'Fall of the Noldor' is very strongly emphasised as a metaphysical fall from grace and further evils, even ones unconnected with the matter of the Silmarils themselves, are blamed on it later (Maeglin!) So far so good. Except. Non-Noldor are also liable to behave in ways that are not exemplary in the slightest, and it doesn't seem to signify a cesura in the same way — and the Noldor in Valinor were able to commit acts that perhaps weren't as heinous as what we call crimes, but weren't good either. Getting into rancid fights with your brother isn't much in comparison, but these are not the actions of unfallen people.

And on the other hand, authorial quote (paraphrased): "Elves in some ways represent Man in an unfallen state". And I'm inclined to agree: they aren't subject to death (except they may be killed, so doesn't this already break down?), and there is something very poignant in the image of their artistry, "extempt from earthly limitations". But they do not lose it, not in any easily tangible way. We can argue that evil diminishes creativity and it's probably true, but there is no hard line anyone passes. And this is again lampshaded in-world with the Númenoreans ("If we die because of some darkness that lay on us before, than why don't the Noldor?").

Which brings us to Men. The existence of a direct cause-effect relationship between fallenness and mortality in Arda cannot be ascertained (Even taking into account a Catholic framework, I feel that logically it need not be the same relationship as the Biblical one since, in contrast with the Garden of Eden, the world was already marred when humans appeared). While I consider the Tale of Adanel to be Gondorian in origin, I can also see the possibility that whatever Men did back then, beyond memory (or in other words "we purposefully forgot") was just that much worse than Alqualondë and the Oath. In any case, Man is very straightforwardly Fallen.

Hobbits. The rules for Halflings are presumably the same as for Men, which is certainly notable, given that they seem to be the least inclined to evil of all incarnates. Not perfect, not by a long shot, but unknowing of wars and violence. A pastoral image, only in-world it's true.

And at the same time, my musings bring me to the unexpected conclusion that dwarves are the only notable "generally unfallen" kindred. Which is, in context of everything that regards them, weird — because by their actions, they are very similar to Men. And yet — either the circumstances of their creation make them disadvantaged from the start (which doesn't really make that much sense), or something happened off-screen, or it's the same case as Saeros, or Thingol sending Beren to his death.

Ents? I honestly don't know if we've seen enough of ents to judge, although they seem generally good-inclined? Huorns are a different kettle of fish.

Before I try to explain orcs, it would do well to know what they are exactly.

In other words, I cannot make sense of it all, enough that I've resorted to calling the default state of incarnates in Arda "semi-fallen" (or, as is, "semi-unfallen"). Which is not a thing that makes sense, philosophically speaking — but I can find no better way.

(Although, to be quite honest, the default state of being in Arda (because of the discord?) seems to be significantly different from the unfallen state of Man as described by religious thinkers in some ways, and not all of them regard merely such things as physical marring, so perhaps "semi" isn't the worst way to describe it.)

In any case, if someone has thoughts on the subject, I'm very open to hearing them.

[erika-xero]

A small guide to commissioning artists: how to avoid getting scammed by people who use image generators

Because “Ai-art” is not art and everyone can use image generators for free.

Disclaimer! This post will include generated images which were originally uploaded on DeviantArt and Twitter by people who generated them. Some of these images are of erotic genre but censored out. I beg you, do not bully these people. This post wasn’t written to call anyone out, it was written to help human artists and their potential commissioners. While some of the “Ai-artists” out there may be real scammers, others are not, and I strongly believe that no one should be bullied, doxxed, stalked and no one deserve any threaths over some silly ai-generated pics. And - as always! - scroll down for the short summary.

Commissioning an artist in 2023 may be scary, especially if you are not experienced in working with artists and have a hard time to distinguish artworks from images generated by neural networks. But even now, with the tech evolving and with neural networks generating pics with multiple characters and fan art, there are still quite a few ways to avoid scammers.

The creator you are going to commission must have an established gallery

This doesn’t mean that you should not commission someone who is new to platform, someone who started drawing in 2022 or later or someone who didn’t upload their work online prior. Image generators actually forced some of the artists to remove their work from social networks. In addition, image generators can generate thousands of images within hours, which means that the scammers may have quite a lot of works uploaded. What I mean is that real artists grow. Their skills gets better over time – even if they are already established artists with huge experience. Their artistic approach constantly changes and evolve. It means that if there are hundreds of images in the artist’s gallery but their skill is always the same level and their artistic approach doesn’t change over time – this definitely might be a red flag. As an artist with a tendency to nuke my galleries on certain platforms (such as DeviantArt, VK and ArtStation), if I get asked to provide my commissioners with examples of my early artworks I will do it with no hesitation. 

You need to look through the artist’s gallery and analize their work

Searching for some decent examples on DeviantArt I stumbled upon a gallery which is four weeks old but already has 660+ deviations all of which look the same way in the matter of skill and artistic approach. While stylization may vary from image to image (some of the artworks look like typical anime-styled CG artworks from visual novels and others have semirealistic proportions), the coloring, the “brush” imitation, the textures on the backgrounds are absolutely the same on every image I analized.

There are a lot of images depictinioning conventionally attractive white or sometimes asian girls in this gallery, some of which seem familiar or resemble the characters from various media. Yes, image generators can now generate fan art. But what they can not generate is diversity. There are of course living artists who tend to draw only conventionally attractive white or asian people too, but now when the image generators gain popularity this lack of diversity automatically raise my suspicions. Drawing a crooked nose or dark skin is not hard and living artists who use references rarely fail at it. It’s image generators who fails this task constantly.

Here is an image titled as a commission. The person who uploaded it also have some content under the paywall and I do not see their images being tagged as Ai-generated too.

Remember the golder rule: spotting an Ai-generated image is the same as spotting the evil faerie in a dark folklore tale. Look them in the eyes. Count  their teeth. Look at their hands and count their fingers. Check if they have a shadow and if that shadow is of human form.The devil is in the details.

While this image may appear like a hand-painted artwork of the conventionally attractive girl at the first sight, however it has quite a few clues that may help you to realize that this artist is a scammer and his entire gallery is just a selection of most-decent looking images they managed to generate with neural network. This elven girl is insanely tall, and the shore behind her back, the stones, the grass and the trees are insanely small compared to her. The piece of jewellry is attached to her nips and it’s design makes no sense. What is the gold chain under her breast, which doesn’t seem to be attached to anything? Where does this piece of cloth hang from? Why does her head cast a triangular shadow on her arm?

Many details are easy to be spotted when an image is in high resolution. I do not recommend artists to post their works in high resolution online to avoid feeding the Ai-monster and also to avoid people using your works to produce pirated merch if they draw fan art. Yet in my opinion posting close-ups might become essential - because people who call themselves ai-artists are usually hiding the artifacts under filters and upload their image resized. So yes: avoid commissioning artists, who never post high resolution faces or overuse filters and blur. Because analizing the characters’ faces is now essential.

You may look at this picture and think: how is this possible for a neural network to create such a detailed image and not fail at it (if you also ignore the fact that the girl on the horse doesn’t have legs). Luckily, the person who uploaded it uploaded it in high resolution, so we can zoom in and... yeah.

The artifacts on these evil faeiries’ faces (especially eyes) and their hands speak for themselves.

Image generators have a tendency to either give characters extra fingers, phalanx or nails or hide the hands completely, if the person writing a prompt decide to to so. I do not know whether and how fast will the algorythm learn to generate normal human hands, but for now you should pay attention to these details to spot a generated image.

Like this randomly nakey fellow with two palms on a single wrist and with some extra fingers on their elbow...

...Or this Asuka Langley fan “art” I had to censor out, with her fingers twisted and crooked.

If you are up to commission an artwork and are in search of an artist who will actually do the job you absolutely must pay attention to small details on their works: the clothing, the jewellry, the tattoos, the anatomy.

While Ai-generated images may appear photorealistic at first sight, the neural network usually misses small details, creates artifacts and makes mistakes if there are too many similar objects or repetative patterns. For example, the infamous MidJourney Party Selfies depicting girls with roughly fifly teeth, extra collarbones and green watercolor spots instead of tattooes (and don’t forget to check the ginger lady’s hand). The hair dissolwing in fabric folds? Image generator. The clothing designs which makes no sence? Image generator. Jewellry dissolwing into character’s hair? Image generator. Moreover the image generators also make mistakes while generating interiors and architecture, since the algorythm is not aware of perspective and space and once again fails either at perspective and object size or with repetative objects and patterns. 

Like this image here: the bed, the window, the picture on the wall. The perspective on this image makes absolutely no sense: two walls and the bed all exist in different dimentions, while the character is once again of enormous height.

If you try to analize the background on this one, I swear, you can go insane. Look at the window and then look on the corner above it. 

There is also another red flag which makes it easy to spot a scammer: dozens of iterations of the same image, which usually happens with people who can’t choose the best image out of the bunch generated with the single prompt.

There are, of course, artists who do series of works, and sometimes these works may have similar ideas and themes, but they hardly ever look this similar to each other: they may differ in angles, poses, character designs and even the artistic approach (lineart, brushes, rendering and etc). The posting time is also important: drawing an actual artwork requires time and effort - for example, I need at least two weeks to finish an artwork with two or three characters and detailed background. So a bunch of ten similar images that are uploaded at the same time it is definitely a red flag. The ai-generated images have a lot of problems with anatomy, details, perspective and other basics human artists have to learn long before they become professionals. All while having glossy semi-realistic render which can only be achieved with years of practice. I’m not saying that there are no living human artists, who may make mistakes (everyone makes mistakes now and then, even the professionals who works in this industry for DECADES) or who choose not to give much thoughts to backgrounds while focusing on characters and rendering (it is okay too), but the combinations of various red flags listed above is something you definitely have to take in account while deciding whether or not you are going to commission an artwork from this creator.

Another example (this person openly admits that they use the images generators for funsies and I did not find him mentioning paywall anywhere). The image generator even imitated the watermark.

Red flags you may spot while working with the chosen artist

Image generators are tricky: they can generate multiple iterations of the same image, imitate WIPs and many more.

First of all, the artist should provide you with WIPs on every stage of work, not when the work is already done. We artists, do it for a reason. We need your feedback constantly, even if you grant us artistic freedom to chose the idea, the character pose, the medium and technique. There are always changes to be made, and we need to make them at proper stage: for example, change the pose or angle of your character while working on a sketch is thousand times easier than to do so while rendering the image. However, the minor changes are usually possible on the later stages (some of artists may require you to pay a small fee of a few bucks, others may not). While the living artists can easily change small details such as the character’s eye color (or other small design changes) not touching the rest of the artwork, image generators simply can not do so not rerendering the whole image. If an artist does not provide you with WIPs or only provide you with them when the work is done, if an artist refuses to make any changes  -  these may be interpreted as red flags. If an artist agrees to make any change, even the drastic ones, at a late stage, when the piece is almost finished - it is a red flag too. Ask for a small change every single time you need one. I know that there are artists out there who prefer to only provide their client with the finished image once it is done, but now when image generators gain populatiry his may be misinterpreted as if you are a scammer.

Here is a good example of image generators generating WIPs for an existing image: it might actually look scary both for many artists and many commissioners.

I know that some of the artists are panicking that the only way to prove that you really did the artwork is a timelapse recording but this method is not for everyone. Not everyone has a setup which allow them to record a timelapse for an every single commission (my laptop will simply explode if I try). Ask your artists which software/setup do they use, ask them whether or not they can provide you with a timelapse video, ask them which brushes do they use. I know that not everyone like sharing info on their pipeline but at this point it is essential to provide your clients with information on the information about your pipeline, tools and software. For example, if your artist works in Procreate (which is available in Ipad) they have all the timelapses recorded automatically. But please, mind that not everyone have such a privilege.

As a commissioner you can ask an artist for screenshots of their workspace with all the interface visible. If they refuse providing you with that or have a hard time answering the questions about the software they use it might be a red flag. I would also suggest you not to force your artist to draw everything on stream, especially if these streams are public, because there are already cases when people took screenshots of the work in progress, used the image to image generator to apply the shiny rendering to it and accused the original artists of plagiarism. It is a risk for artists and it is okay to refuse such a request. You can also ask an artist for .PSD file of the commission, but the artist have a right to refuse sharing it online for copyright-related reasons. The original .PSD file is a best proof of authorship in court for residents of many countries. Artists can still provide you with the resized .psd file with some of the layers merged or with the background/character png with transparent background without putting themselves at risk. Of course there are artists who draw on the single layer - but without a timelapse recorded this may indeed seem suspicious that the artist does not have a .psd file with layers at all. Always ask your artist to provide you with high resolution image when the commission is finished and fully paid for. There are artists who works on smaller canvases, but working on the canvas smaller than 1000px wide might be interpreted as a red flag, since it is easy to hide artifacts on a resized image. I myself prefer working on larger canvases, from 6000 pixels wide to 10000 pixels wide (300 DPI) because I had an experience with printing my images out to sell them at conventions. While I do not sell commissioned works as prints I still give my commissioners a right to print the finished images out for non-commercial purposes. Thus, I always make sure that it is possible to make a wall print of a decent size out of the finished product. Avoid working with platforms which do not support refunds. It must either be a payment system which support sending invoices or an established platform known and used among the art community (patreon, buymeacofee, boosty, Paypal and etc.). Most artists do not do refunds for finished works — which is absolutely a right thing to do - but sometimes an error might occure. I know people who accidentally paid for their commissions twice and the artists still had to do a refund. Yes, you must respect the artists Terms of Service, but ithas nothing to do with unrelyable platforms used to scam people.

To sum it up

Search for an artists with established galleries,which has a believable amount of works and the visible artistic progress/evolution;

Analyze the artist's gallery, carefully inspecting their work for anything that might be interpreted as a red flag. Excessive fingers, crooked hands, broken perspective, clothing designs and jewellry that makes no sense, extra collarbones, lack of diversity, excessive teeth, artifacts in the eye area, interior and architecture elements which makes no sense — all while the images being glossy, fully rendered as if the artist have decades of experience;

Avoid people with too many iterations of the same image in their profile;

Avoid people with too many images being uploaded at the same time (it is okay to upload a bunch of prevoulosly done artworks when you start running your account, but uploading hundrends of images every week for a long period of time is really suspicious);

Ask for constant WIPs. Give feedback at a proper time. See the reaction;

Ask for a small change when the image is almost finished: it is impossible for the image generator to do so without fully rerendering the image, at least for now;

Ask your artist which software and assets do they use;

Ask (if it is possible) for a timelapse recording — either if the commissioned work or at least of one of their previous works (if they had an opportunity to record it before);

Ask your artist for in program screenshots with visible interface and history (if possible);

Ask your artist to show you the layers of the artwork — at least character/background only layers (mind that the background might be less detailed/wonky at the places which usually are hide but the character's figure). Ask for a resized .psd with some of the layers merged or a gif animation of each layer being added on top — this is what I usually do;

Ask for high resolution file of the commissioned image once you paid for it and it is finished. If the artist doesn’t have it and claim to work on the canvas smaller than 1000 px wide and/or claim that they intentionally delete the original file somehow - this may raise suspicions. Of course a person can delete the file accidentally or have their hard drive crushed, but if you have already spotted some red flags while working with this artist it might be a sign of a person trying to scam you too;

Many of the stuff listed above might be interpreted as a red flag , but I strongly advice you not to judge anyone by one or two points from this post. For example, a person can draw on one layer and mess up the perspective on a drawing entirely! However, if you've played a bingo and suddenly won — you have most likely encountered a person who try to fool and scam you;

Avoid working with suspicious payment methods. If you never heard about  a platform before — google it and see whether or not other established artists use it. If not - it might be a scam;

And remember! People may use the images generators for various reasons: for fun, to create references of their characters to later commission reall artists artworks with said character (for example, the art breeder is a useful tool to create arealistic image of the character, even though I find it slightly limiting). Yes, image generators are unethical and trained on copyrighted data, but a person using it may not be aware of this problem. Not every single person who call themselves an “Ai-artist” has malicious plans to scam people or to gain wealth using their funny little tool. Sometimes they do it for fun and do not pretend that it is anything more that a game. Thank you for reading this far and good luck with your commissions!

Have a picture of an absolutely normal and realistic woman, generated by the neural network!

[strawberry-jan]

Back in late 2022, I started working on a long story about Ishin: a tale of two dummies whose weird one-night stand blossoms into a surprisingly caring relationship even as a (mostly) canon-compliant series of tragedies plays out around them. It’s a now-complete series in approximately 125,000 words and three parts, and you can read the whole thing right now on AO3: The Glorious and Bloody Deeds of Okita Soji, Volume 1: Okita Soji Versus the Scoundrel Saito Hajime; The Secret History of Saito Hajime, Volume 2: The Shiraume Incident; and, finally, Brief Notes on the Domestic Life of one Saito Hajime.

Taken as a whole, it's a story about identity and history and the stories that people tell each other and themselves about those things. And it's a story about one guy getting way too into weird Edo-era egg dishes, and another guy finding himself embroiled in an extended detective sequence, and a third guy composing a series of corny haiku that (almost) nobody wants to read. And, of course, it's also a story about people who are shamelessly and sometimes explicitly in love (so you probably shouldn't read it at work).

This whole big, sprawling thing has been a labour of love on my part: it turns out that I adore writing historical fiction and finding excuses to read books and journal articles in order to write it better. In addition to making not one but four little illustrations to celebrate the fic's completion (and please look at them up-close; I hand-inked all those kimono patterns), I've drawn up a list of some of the sources that I consulted for my writing, and you can find those under the cut.

This is not an absolutely exhaustive list of sources; I don’t think it’s super useful to catalogue the extremely nitty-gritty stuff, like that time that I felt compelled to find out what the state of strawberry cultivation was in 1860s Japan, or when I needed to picture exactly what it looked like when Haruka was repairing Ryoma’s kimono. That being said, I’ve added a couple of things that are really particular to my stories but that I thought were cool enough to share.

Foster, Michael Dylan. The Book of Yokai: Mysterious Creatures of Japanese Folklore. U of California P, 2015. (This one was a really fun read – it combines a short history of yokai in folklore with a little catalogue of yokai.)

Jansen, Marius B. Sakamoto Ryoma and the Meiji Restoration. Stanford UP, 1971. (Super useful as an introduction to the Bakumatsu era and for biographical details about Ryoma and the figures around him.)

“Japanese Wiki Corpus.” https://www.japanesewiki.com/. (This is a machine-translated collection of articles on the Japanese side of Wikipedia related to Kyoto. As with a lot of things on Wikipedia, the citations on these articles tend to be poor or nonexistent, but it’s a useful starting point for information on figures and events that don’t have an English wiki equivalent. Definitely more useful if you can then head over to the original wiki articles and parse them out yourself.)

“Kabuki21” and “The Noh.” https://www.kabuki21.com/section.php, https://www.the-noh.com/en/plays/index.html. (I’m lumping these two together because I tended to consult them in tandem. Without getting too much into my personal details I am – among other things – a non-practicing theatre scholar, so whenever I wanted to have characters in my old-timey fics refer to something cultural, my first stop was old plays. These sites have, respectively, summaries of kabuki plays and full texts of Noh plays available for you to browse. If you’ve read my other fics you will probably have seen that I referred to the kabuki play “Fuwa” in 亀が如く.)

Katsu, Kokichi. Musui’s Story: The Autobiography of a Tokugawa Samurai. Translated by Teruko Craig. U of Arizona P, 1988. (A book that needs to be taken with a grain of salt because it’s an autobiography written by a guy who sounds like a real blowhard, but it’s still a really fascinating look into the daily life of a low-ranking samurai.)

Leupp, Gary P. and Tao, De-min. The Tokugawa World. Routledge, 2022. (Of particular interest is Kimura Sachihiko’s essay, “The Shinsengumi: Shadows and light in the last days of the Tokugawa shogunate” [1104-1124], which gave me a bunch of incidental details about the Roshigumi that I incorporated into the sections of this series that were told from Inoue and Hijikata’s perspectives.)

“Old Photos of Japan.” https://www.oldphotosjapan.com/. (Pretty self-explanatory. Very useful as a resource for picturing scenes!)

“Shinsengumi Archives.” https://shinsengumi-archives.tumblr.com/. (A long-running tumblr dedicated to cataloguing resources about the Shinsengumi. There’s an absolute wealth of information collected here, and best of all, the creator cites their sources and even provides links to the original texts. Although it’s focused on the Shinsengumi, it’s impossible to overstate how useful this site is for prospective Bakumatsu-era fic writers in general. The collection of Hijikata’s poems with links to others’ translations and commentary is here: https://shinsengumi-archives.tumblr.com/post/683071924948058112/hijikata-toshizos-haiku-poems. The creator of the blog also links to a translation of Nagakura’s and Shimada’s diaries, and while the document is machine-translated, it’s still a great source of historical details: https://shinsengumi-archives.tumblr.com/post/678083336614428672/where-can-you-read-the-memoirs.)

Smits, Gregory. “Warding off Calamity in Japan: A Comparison of the 1855 Catfish Prints and the 1862 Measles Prints.” EASTM 30 (2009): 9-31. (Okay, this one is highly specific to my fic – it comes up in Part 2 when Okita tells his story about Kashima and again a couple of chapters later when his pile of remedies includes a crudely-drawn picture meant to ward off indigestion – but I love little details like this so I did want to make a point of sharing it here.)

“Tamago Hyakuchin” and “Tofu Hyakuchin.” http://codh.rois.ac.jp/edo-cooking/tamago-hyakuchin/recipe/, https://toyama-tofu.jp/tofuhyakutin.html. (These are collections of Edo-era egg- and tofu-based recipes. They’re two of the sources cited in Cookpad’s collection of modernized Edo-era recipes: https://cookpad.com/recipe/list/14604664.)

Vaporis, Constantine N. “Linking the Realm: The Gokaido Highway Network in Early Modern Japan (1603-1868).” Highways, Byways and Road Systems in the Pre-Modern World. Ed. Susan E. Alcock, John Bodel, and Richard J. A. Talbert. Wiley-Blackwell, 2012. 90-105. (Some of the works cited in this article also sound interesting, but I didn’t have a chance to dig any deeper as I just wanted to know a bit about the Tokugawa-era roads. Also interesting in this vein is Jilly Traganou’s book The Tokaido Road: Travelling and Representation in Edo and Meiji Japan [2004].)

Wert, Michael. Meiji Restoration Losers. Harvard UP, 2013. (Not directly useful as a source for writing about Ishin – it’s about later events and it mostly tracks the posthumous construction of one specific Tokugawa magistrate’s history – but it was an engaging read and I found it interesting as an exploration of how people continue to look back on the Bakumatsu era and the Meiji Restoration, which is something that the game is, of course, also doing.)

Yamakawa, Kikue. Women of the Mito Domain: Recollections of Samurai Family Life. Translated by Kate Wildman Nakai. U of Tokyo P, 1992. (Another one of those bits of essential reading on everyday life for low-ranking samurai, this time with a focus on women’s lives and households more generally. I didn’t use a lot of from this book in my fic, but it has everything from translations of songs to records of families’ financial transactions, and it’s fascinating to read about all the turmoil in Mito playing out in the background of these families’ lives.)

“Yokai.com.” https://yokai.com/. (The creators of this site make a point of not going into detail about their sources, and they’re very careful to state that they don’t intend for the project to be “the final authority” on yokai, but I enjoyed browsing the site to get some ideas for Okita’s stories – and once you know the name of a particular yokai that you’re interested in, it’s easy enough to go look up other sources on them.)

[kaibutsushidousha]

The Hundred Line - Famitsu interview June 19th 2024

What does the title Hundred Line mean?

Kodaka: The simplest way to describe this game is: student have to live together in a school while fighting to survive 100 days. This "100 days" timeframe became a major keyword, so we decided to express it through the title The Hundred Line - Last Defense Academy.

The game has been described as "a tale of extreme x despair produced by the creators of Danganronpa". This "extreme x despair" keyword reminds me of the Concept Art 1 presented September 2018 at the announcement of Too Kyo Games. Caption: Extreme x Despair. A game co-written by Kodaka and Uchikoshi!

Kodaka: As you can imagine, this is the game from Concept Art 1. We finally managed to announce, but at first, The Hundred Line was developed as Too Kyo's first original IP. However, our company isn't capable of self-publishing, so now we're working with Aniplex, on a half-half split on production costs.

When did development start?

Kodaka: Since we founded Too Kyo Games (2017), so that has been 6 or 7 years. At first, Uchikoshi and I partnered with another major publisher to release our game, but unfortunately, the project was canceled...

In a previous interview, you mentioned a title not coming out as planned, but I didn't think you mean an actual cancellation...

Kodaka: I have so much I could talk about on this one, but I don't think the first talk about this game should be about what went wrong, so how about we save it for another day? Haha. Although The Hundred Line's project was canceled for a while, now, after finding what we needed to make it a good game, we rebranded it and restarted our whole internal development cycle.

We were initially fine with it being indie-sized, but as the story and character designs were getting polished, and the concept gained a more solid form, we started thinking we couldn't make our ideal game unless we went bigger. Determined to put our hand to the test... we took a loan.

A loan!?

Kodaka: It wasn't guaranteed that we'd have the working capital to maintain our enlarged development scope even if we sold all of our stocks. We advanced the production with the phantom of debt on our necks while we searched for a new publisher, and that's where I met Aniplex and smoothly sold our pitch.

However, since this game has simulation RPG sections, they said that'd need a third-party developer. For that, they introduced us to the accomplished Media Vision and had them join the dev team. We're also cooperating with Jet Studio, who worked with us before in Danganronpa and Rain Code.

After all that it took to get this game to a presentable state, we of Too Kyo Games consider it a proud symbol of our persistence, or better yet, the culmination and conclusion to the current stage of our careers.

Staking your life on your work has never been so literal...

Kodaka: True, if this game flops, we won't be able to pay our debt. In that sense, this also provides a rare opportunity to the playerbase too. They get to witness how much a single title's sales can influence the future of a creator and company.

That's not the kind of suspense I want as a game fan, haha. Still, with six years of development, is it safe to assume you've been through a fair share of hardships?

Kodaka: I did. That was my first time dealing with a full cancellation. Also, to enable to Too Kyo to continue its work, to partner up with a new publisher, etc, we couldn't continue the development in the direction we were before. We needed to restart on our semi-complete project, and that's already painful labor in itself.

In terms of creative workload, I can't say I was much busier than I was in the Danganronpa V3 days, having to work in the game and the anime at the same time, but in this situation, aside from my directing, writing, and screen composition duties, I'm also Too Kyo Games's president and producer, meaning I have more work outside my craftsmanship... Making the game and managing the funds at the same time would have given most people a mental breakdown (laughs).

It was mentally and financially taxing, but I don't think I'll ever get another opportunity to pour this level of effort into making a game happen. Putting my life on the line was a very valuable experience.

You mean to say you can feel Too Kyo Games's entire soul in the game? On another note, I couldn't find any of the characters from the concept art in the new key visual or the screenshots. Does the restart mean that those characters got shelved?

Kodaka: The game's general concept is still the same, but to put a new, clean start on it, we changed a few things completely. One of them being the character designs. But despite their changed appearances, they maintain the characterization of their predecessors, so you'll see characters similar to what those would have been.

However, the old politician you see in the upper left corner won't be in the game (laughs). He's a character Komatsuzaki made up on the spot for this illustration, so I know as much about who he is as you do. He's doomed to disappear shrouded in mystery.

(laughs) By the way, considering how The Hundred Line is "the tale of extreme x despair", I'm curious about how this keyword "despair" relates to Danganronpa.

Kodaka: The tagline "tale of extreme x despair" is to signify that this is the first game Uchikoshi and I are directing together. It has nothing to do with Danganronpa, but it is a game made leveraging all of my previous experiences. With that plus Komatsuzaki's and Takada's involvement, I consider it a spiritual successor to Danganronpa.

Who from the main Too Kyo Games roster is working in this and what are their roles?

Kodaka: Uchikoshi and I are splitting the directing and writing work, Komatsuzaki is on the character design, Shimadrill is doing the enemy design and the backgrounds, and Takada is in charge of the soundtrack. Also, Uchikoshi and I do screen composition for the scenes we write.

I didn't think I'd have to do the screen composition job here myself, but I'm the best at handling Komatsuzaki's art and Takada's music, so that job is dumped on me. I got a lot of material to work with. Maybe more expression options than Yuma had in Rain Code.

The Danganronpa series also had me personally choosing faces and soundtrack one by one, so I hope the fans of that series enjoy the familiar vibes in the visual novel sections.

The new announcement came with a key visual. Are these characters in uniforms going to be the main cast?

Kodaka: Yes. They're the students of Last Defense Academy and are living in the school for unknown reasons. The students have special powers called Hemoanimas. They normally have their own sets of clothes, but upon activating their Hemoanima, they change into this uniform and fight against their enemies.

Is the white character a mascot?

Kodaka: Yes. He's the squad coordinator character. So his name is just SIREI, from shireikan; commander. By the way, SIREI is the reincarnation of the raccoon illustrated in the key visual. Both forms of this character were designed by Komatsuzaki. I pointed him in a general direction I wanted but overall let him do whatever he wanted. Meanwhile, the students followed the usual process going through a lot of back-and-forth until their completion.

In Danganronpa, their designs reflected their Super High School Level talents. Does The Hundred Line have any kind of keyword or characterization element that informed their designs in the same way the Super High School Level talents did?

Kodaka: Each student masters a different Unique Subject and has a different weapon of choice. That's what their designs mainly reflect. I'll talk more about Unique Subjects and weapons of choice later.

I'm looking forward to the update. Next question. Danganronpa and Rain Code had all-star casts of voice actors. I have expectations for The Hundred Line's cast.

Kodaka: Unfortunately, I can't reveal the actors at the moment, but I will say half of them have performed in previous Kodaka or Uchikoshi game and the other half is people we're both meeting for the first time. But look forward to it, it's going to be as all-star as any previous game. I know the released PV is voiced by the protagonist, but who is voicing him is still confidential.

Will the creatures depicted flying above the main characters be enemies?

Kodaka: Correct. The enemies are unknown entities attacking the school. They're called School Invaders. If you take a really close look at the key visual, you may notice the academy is protected by a pink flame. That's called the Unextinguishable Flame and that's what prevents the School Invaders from attacking 24/7.

When the School Invaders get past the Unextinguishable Flame, the students will need to repel them. The students aren't informed about the academy's or the unextinguishable flame's secrets, nor they know why the School Invaders are attacking. The story progresses as they fight School Invaders day by day unaware of their circumstances.

Do you have anything noteworthy to say about your interactions with Shimadrill regarding his work designing the enemies?

Kodaka: My priority for the character design of the weaker School Invaders was that they had venomous pop aesthetics. At my first discussion with Shimadrill, we arrived at the idea of making their designs intentionally similar to the monsters of a famous game franchise, but we changed plans along the way. Ultimately, we got likable enemies with that pop aesthetic.

Playing aggressively even on the designs, huh? That's the Too Kyo Games I know.

Kodaka: We changed our aim because copying designs was a really bad idea we took too far. Our mindset at the time is that, true to Too Kyo's name, we wanted to make a game that was indeed too crazy. Too Kyo Games is a company that prides itself on its writing, designs, and music.

However, compliance is a lot more important nowadays, so there's a lot more we need to keep in mind. We were defanged by the corporate structure of our partner for the cancelled version of the game. Depictions of violence and dirty jokes that were acceptable in our previous works weren't fine with them. We had to be on our best behavior to adhere to their compliance demands.

Now that I got to remake the game as something else, I can see that not releasing it on its previous state was for the best. Because I couldn't express my strengths in full there.

The Hundred Line was my first collaborative work with Uchikoshi and our first original IP. Making a game that's simply good wouldn't be enough. There'd be no point in starting this over if we couldn't go all-out. We developed The Hundred Line determined to make a game someone with good sense couldn't make. A title to be considered a product of deranged minds. In the sense, we were very lucky to land on a partnership with Aniplex.

Tell me more about what do you mean by "lucky" here.

Kodaka: To leverage the strengths of Too Kyo Games, we're writing a very controversial narrative. Aniplex is being thankfully quite flexible with what we're allowed to depict, as they understand our fortes and respect our vision. For that reason, Uchikoshi and I were able to depict the crazy story we wanted to.

Kodaka, in a previous interview, you expressed determination toward making this game a story that make people question your sanity. A game people wouldn't expect to be possible to make. Would you say managed to fulfill this ambition?

Kodaka: I can't comment about the gimmick without getting into spoilers, so I have no plans to reveal the answer to this before the game's release. Playing the game for yourself should be enough to convey Too Kyo Games's outlandishness. I believe my reason to pair up with Uchikoshi will be equally evident, and it'll be easy to make sense of why this game needed multiple writers and recruiting new hires.

I know perfectly well this is a tasteless request, but can you drop a hint?

Kodaka: Fine, I'll tell you some details after the interview. You're allowed to address what I'll say in your opinion post (laughs).

I appreciate the gesture, but let's see if I'm up for the challenge (laughs)

Tell us what the general gameplay loop is like.

Kodaka: The Hundred Line follows a cycle of 3 parts: a visual novel section, an exploration section, and a simulation RPG section. I already explained at the opener that it's a game where you survive 100 days of combat, but that doesn't mean time will pass uneventfully.

Like in Danganronpa, something will happen each day, and you'll get chances to talk with your schoolmates and deepen your relationships. You'll get Free Time, you'll get training sessions to increase your stats, and you'll be able to get other power ups by sharpening your weapons. The goal in the visual novel and exploration sections is to enjoy life with your schoolmates while also preparing for the enemies that can appear at any moment.

Got it. Now explain the simulation RPG section too, please.

Kodaka: The simulation RPG section has tower defense elements. It's not just about defeating the enemies, you also have to fight defending the school. Also, since the School Invaders come in large flocks, the main gimmick here is that you need to fight on multiple grids of the board at the same time instead of taking it one grid at a time.

Our developer, Media Vision, has a lot of experience in simulation RPGs. We'll disclose more details about the gameplay later, but I'm glad they were able to come up with and implement hype combat ideas (such as unique traits and ultimate moves for each character) in a way that can satisfy the fans of the genre.

You mean to say the simulation RPG sections are going to be solid?

Kodaka: Correct. That said, a lot of people who buy my games are casual gamers, so I always put emphasis on ease of play.

Then first-time simulation RPG players will have nothing to worry about.

Kodaka: Another point of interest is Takada's soundtrack. I requested the battle BGM to have the intensity of an action game. It's inspired by technical rock bands from the 90s, mainly The Chemical Brothers and Boom Boom Satellites. The visual novel sections, on the other hand, have a more sci-fi-adjacent OST to match its strong sci-fi aesthetics.

Tell us a release date and the consoles.

Kodaka: Early 2025, Switch and Steam.

Less than a year before release. Do you think the team can make it?

Kodaka: We're still working on it, but I think we won't have to delay the release. To be honest, The Hundred Line is progressing faster than Rain Code was (laughs). Besides, Too Kyo Games can't afford to delay a game our creators are staking their lives on.

Messages to players and readers usually often saying things like "We're doing our best" or "Cheer for us", but for this title, I can't bring myself to be so casual about it. I feel like I'm issuing a challenge to the players here.

I have a marketing strategy to draw attention to the game, and I'm polishing it to make anyone who buys it say it's a good game, so I'm feeling more of a "Just watch me!" or a "Wait until you see this thing released!" for a closing message.

Giant Kuroda's editorial comment

As outlandish as promised.

That's the interviewer's honest impression on what Kodaka told me about The Hundred Line's gimmick. I [Giant Kuroda] have been the Famitsu interviewer in charge of Danganronpa since Danganronpa 2. I interviewed him pre-release for a game launched in 2012, which means I've been talking to Kodaka for at least 12 years.

Kodaka and his art surprised me many times. In a good way.

Danganronpa 2's final boss. Danganronpa V3's first case culprit, finale, and the secret hidden in the title. Danganronpa 3 simultaneous broadcast of Side:Future and Side:Despair. Rain Code's first case...

The list could go on forever, but The Hundred Line's gimmick is more impactful than of those. I can't deliver a final judgement until I play the game for myself, but depending on what the game has to offer, it could be his uncontested best. That's how much potential I felt in that spoiler. I get the point of staking their lives on it now.

Also, in what's rare for a Kodaka title, the game will be allowed to be streamed relatively far into the story despite earlier spoilers (information subject to change). Kodaka's story-heavy games are a double-edged sword. It's possible for players to feel like they experienced enough by simply watching a Let's Play that spoils all the twists. However, I believe this game actually benefits from unrestricted streaming. But I can't say why. It's a spoiler...

At any rate, this game is Kodaka's and Uchikoshi's first collaborative story, and as Kodaka said, its narrative is a product of deranged minds. I wait with bated breath to the day I can finally play it, and also look forward to reading opinion posts about it online. You can get your hopes up, Kodaka and Uchikoshi fans.

[intuitive-revelations]

Retrospective notes and what to keep an eye on after The Legend of Ruby Sunday

I started writing this while watching through a second time. While my thoughts were still a bit random and out of order, I've edited them into something that makes a bit more sense to read through.

Susan:

A little bit weird at first that Ruby asks why the Doctor doesn't recognise his own granddaughter, given that she doesn't know about regeneration yet and Susan Twist is clearly not mixed race. After thinking for a second, I realised she probably just immediately reconciled this as an adoption scenario, especially with her own family and history.

I've posted seperately about my feelings on the retcon of Susan's origins, but I am still surprised we're going this direction. I also find the wording a little bit questionable, as the Doctor makes it sound like he hasn't had children before, when he 100% did.

A Susan misdirect being linked to the word TARDIS is excellent though, given that she claimed to have come up with the word. (People freak out about what this means for her origins, but I don't see why it can't just be that she's responsible for the English acronym translation convention, which then passed on to all of human history thanks to the Doctor's travels.)

We didn't get Susan this time round, but such a massive red herring implies that RTD is planning to build up to such a thing for real, right? I assume we'll also be talking more about her next episode / in Tales of the TARDIS.

I also mentioned this in my live notes, but I quite like the Doctor's justification for not going back to Susan. It makes sense on its own, but takes on a whole new meaning in light of what happens in Big Finish (even if you do need to slightly nudge the meaning to make sense, and admittedly it still clashes with her participation in the Time War).

The Time Window and Misdirections:

Slightly put off at 'time window' being used as terminology for UNIT's tech when that's been used for actual time portals in-universe before.

Liked all the mentions of chronons though. Need to combine that and "N-dimensional time" into an actual pseudoscientific theory of time physics in Doctor Who with artron energy etc.

The Time Window is also totally how we get the Memory TARDIS, right? I'm guessing that's why the Doctor sent Ruby there, so she can escape into it (though I don't know what that will look like given Tales of the TARDIS surely won't be essential viewing). I wonder if that means the Doctor we'll see in that won't be the real one?

Super sneaky making the time window the 'secret from the Third Doctor era' that is revealed that was teased. Not a lie, but really teases something different to what we got.

Actually, in general kinda mixed feelings about the sheer level of misdirection is this story. You've got the above, all the focus on Susan, maybe the 'Beast', literally playing the Saxon theme (The Master Vainglorious). Seemingly also the thing about where people were stood on Christmas Eve… though I am going to check to see if there's something about the TARDIS / Sutekh. That being said, I'm guessing we're coming back to this, as the pointing isn't really explained yet.

RTD also said the script opened "INT. COFFEE BAR, USA - DAY, 1947" but we clearly never got such a scene. :/

On the other hand, all the playing around and subversion with anagrams was a lot of fun. Very much riffing off of DW tropes. Very funny also that UNIT would immediately pick up on the S Triad thing, given their and the Doctor's history with the Master's own aliases.

Sutekh and the Pantheon

Super intrigued by everything regarding the Pantheon in this episode. So we've got members:

Sutekh: God of Death. The Oldest One / The One Who Waits, the Mother and Father and Other of them all. The Toymaker: God of Games. The Trickster: God of Traps. Maestro: God of Music Reprobate: God of Spite. The Mara: God of Beasts. The Three-Fold Deity of Malice, Mischief, and Misery. Gods of Skin, Shame, Secrets Incensor: Gold of Disaster Incensor's Children - Doubt and Dread. Harbinger(s)

I'm probably too EU-brained, but it feels crazy putting entities like the Toymaker and the Trickster below Sutekh? They're both Eternal/Guardian level, while Sutekh is just an Osiran, powerful but ultimately ephermal. How is he 'the oldest' and the 'mother/father/other' of them all? I guess age could be partially put down to Sutekh's fate in Pyramids of Mars, but actually originating before them doesn't really make sense. I guess he could be an incarnation of a much older being, a bit like the Doctor could be?

However, I also doubt Harbinger is entirely reliable. She's clearly hyping up Sutekh's dominion, so him being the 'god of gods' may not mean much in terms of their origin.

Speaking of which... a lot of allusions to the Devil here, as I mentioned above. Chidozie finds himself in 'hell' and Carla literally calls the shape in the Time Window "the Beast". The security camera is also 66m away (funnily enough, around 73 yards). Add in Gabriel Woolf also playing the Beast in series 2, and you really do have to wonder if there's a connection. If Sutekh and the other Gods really do see him as the same entity as the Beast, then maybe he really could be the oldest of them all.

Side note: "Mother, Father and Other of them all" is great. Connecting the word 'Other' to parentage is also interesting, given we've been talking about Susan...

Going back to the Pantheon - I am now 100% convinced, after theorising before, that we've been meeting members of the Pantheon of Discord.

While there are family connections between some of them, I doubt they really are all related. They're way too distinct for that. But as a loose coalition of malicious god-like beings across the multiverse, it works. Weirdly, it is also reminiscent of some plotlines from the Tenth Doctor Titan Comics. It also feels like the direct opposite of the 'Accord' from the Leftbridge-Stewart series, which was seemingly another coalition of more benevolent deities, including the Azure Guardian. I wonder if they oppose each other?

Some of the namedrops are super interesting too. As I mentioned in my live blog, the Three-Fold deity must be connected to the Six-Fold God, even if just an imitation. Some of the names (eg. Doubt and Dread), being directly named for concepts and emotions, also brings to mind the Menti Celesti.

I also strongly suspect we're going to meet the Trickster again. RTD even foreshadowed as much when he illustrated Now We Are Six Hundred.

Big question is... when did Sutekh become connected to the TARDIS? The latest it could have happened is Wild Blue Yonder, and that would be the simplest explanation... but dialogue implies he's been attached and waiting for longer.

Again, mentioned this in my live notes, but the connection of Sutekh hiding in the "Howling Void" and appearing on UNIT scanners with contradictory information like the Dalek Void ship is an excellent connection. Especially, again, with the possible Hell connection:

RAJESH: And what's the Void? DOCTOR: The space between dimensions. There's all sorts of realities around us, different dimensions, billions of parallel universes all stacked up against each other. The Void is the space in between, containing absolutely nothing. Imagine that. Nothing. No light, no dark, no up, no down, no life, no time. Without end. My people called it the Void. The Eternals call it the Howling. But some people call it Hell.

Does this imply he attached himself to the TARDIS while it traveled through the Void? If so... when was that? Again Wild Blue Yonder is a good candidate, as the TARDIS literally reaches the edge of the universe (at least in some sort of spacetime geometry), but this could technically harken back as far as Journey's End, when the TARDIS last visited Pete's World.

A bit of me is intrigued by the description of Sutekh "whispering, delighting and seducing" the TARDIS, but nothing else indicates the TARDIS was willingly carrying him. Again another sign that Harbinger's speech may not reliable.

Remaining Mysteries

No offence to the people who were all in on the theory, of course, but I'm pretty sure the 'TV' theory is nothing. Especially after this episode. I feel like people latched onto the promo shot for this episode which looked like a TV set and confirmation bias took on from there. That being said, I am ready to eat my words if it somehow comes back to that next week!

(TBF, the TV theory obviously does have some relevance to DW in general, what with the Weeping Angels, Doctor Who exisiting in-universe, fourth wall breaks etc. I just don't think it ever had anything to do with this story.)

So Mrs Flood is confirmed to be something alien or supernatural, after the ambiguity with the Christmas 4th wall break. Simplest answer is that she's also serving Sutekh / the Pantheon, but IDK... she seems different.

Still need to know what's up with Ruby's mum too. Annoyingly, the episode makes it kinda ambiguous if she was pointing at the past Doctor (as per the flashback earlier this series) or at the present one. If the prior, I assume she was actually pointing at the TARDIS / Sutekh?

That damn "worlds with orange skies" line. It's probably nothing, right? But why did we focus on it, complete with musical sting. RTD knows that's significant. Hell, it's specifically significant to Susan, with her talking about Gallifrey in The Sensorites, and Ten recalling it in Gridlock.

Also, unless the soundtrack was lying to us, which it doesn't usually (though I guess isn't unprecendented, with the Weeping Angel theme being used in Day of the Doctor when Osgood realises the statues are disguised Zygons), maybe a Master reveal coming up some point in the future? How though, I have no idea.

[kathaynesart]

I remember when you first started Replica and I haven't been here in a hot minute!

May you please do a debrief of what it is, the characters and their relationships.

I want to be able to give my friend (who I finally dragged down into this TMNT rabbit hole) a good explanation of your wonderful comic!

(⁠.⁠ ⁠❛⁠ ⁠ᴗ⁠ ⁠❛⁠.⁠)

Aw thank you so much! Hm… I suppose a summary would be good to have on hand. For the uninitiated with no context, here is the basic elevator pitch:

The year is 2044 and the last remaining Resistance of Earth has just fallen to the alien invaders known as the Krang. In a last ditch effort to save the planet, Casey, a freedom fighter is sent back in time to undo the events that first led to the invasion. While he is ultimately successful in his mission, the state of his original fallen timeline remains unknown. The last of the freedom fighters, his family, perished to ensure his safe escape, leaving their world to the mercy of the Krang.

Which brings us to the ultimate question: when you already know the heroes are doomed to fail, what can be gained from being told their story?

For the rest below, I’m going to write with the assumption that the reader has some basic knowledge of the series and the film because I feel that this story is best enjoyed with proper context.

SUMMARY

Replica is a story meant to answer many of the questions the first 4 minutes of the movie left us wondering. It’s to explain the basic history of the bad future timeline and how it came to be. The plot focuses particularly on the later half of the apocalypse, all with the intention of leading up to the opening scene where the Krang wins and Casey Junior is sent back in time to fix the mistakes that Leo and his family could not.

It’s to answer questions like:

How did Leo get injured?

Why is Mikey so old looking?

What were these characters like in the future?

What happened to Raph, Donnie, and April?

Where is big bad Krang Prime in all this?

How did the Resistance finally lose to the Krang?

Did they plan to send Casey back in time in advance?

What happened to this world/time-branch after Casey Jr was sent into the past?

MAIN CHARACTERS

For the most part, the cast is comprised entirely of characters from the series. My goal is to keep this as canon as possible, so no new OC's... save for one (kind of).

Omega Bootyyyshaker 9000 is where this story starts and ultimately where it ends. He is a brain scan AI of Donatello, created to act as both a support system for the Resistance after the turtle’s untimely death and also a key component in a plan that will hopefully put a stop to the Krang should the Resistance fail. Omega is great because he adds some much needed levity to the story, acting a bit more like the aloof but silly teenage Donnie (a side affect of not having to experience the usual physical weariness that comes with being an organic, aging organism in an apocalypse). However, he also adds more weight by being the thing that is supposed to outlast all of them and act as the last line of defense for the remainder of the universe. He claims to merely be a "replica" of Donnie's mind, but whether he's just a digitized scan, his own AI person, or somehow connected to Donnie in a deeper way has yet to be seen.

Leonardo Hamato: the man, the myth, the legend. Casey Junior spins tales of how great his sensei was in the movie, but in this story we really get to see Leo go from his lowest point as a pawn for the government, crushed by the shame of his past actions, to his greatest height as the leader of the Resistance. He is going to fail a lot in this story... but ultimately his greatest success is overcoming his own inner demons and coming to terms with being the father figure he had never asked to be. He cares deeply for his family and Casey... but he thinks he'd be a horrible dad.

Michelangelo Hamato: the only other surviving turtle to see the end of the world. He is the emotional bedrock of the family and a stand in therapist when he's not being a silly little guy. His mystical powers are unparalleled, but in his attempts to regain his lost Ninpo he taps into something far deeper, leading them down a path that intertwines the destiny of their doomed future and a past that has yet to occur.

Casey Jones Jr: a sweet boy taken in by the Hamato family. He strives to become a great warrior like his mother (Cassandra) and his Sensei (Leo). We are going to watch him grow from child to teenager as he slowly takes on the roll of being a fighter in the resistance. Through it all he must walk an unsteady line that allows him to find the strength to weather the storm but retain a certain spark of hope that helps keep his family going.

April O'neil: Commander of the Resistance and another honorary Hamato family member. She is the voice of reason and most emotionally stable of the family. Even after dealing with so much loss, she keeps a stiff upper lip as well as cold and calculating mind that always puts the colony's wellbeing first and foremost.

Donatello Hamato (deceased): The story begins shortly after Donnie’s passing during an infiltration mission against the Krang. He was dead set on planting a probe behind enemy lines that would allow them to spy on the Krang’s movements. However it seems that he had a secret agenda in planting something that would work as a final doomsday weapon against the Krang. What that is exactly, we do not yet know. The man self-destructed in a last ditch effort to avoid being interrogated by the Krang as well as a final attack to injure Krang Prime.

Raphael Hamato (deceased): The eldest brother who sadly passed away many years ago in the fight against the Krang. A boisterous but considerate man whose death sapped a great deal of the fighting spirit out of his brothers. His absence is greatly felt, but he might not be as far gone as he seems.

Krang Prime (One): Our big bad of the story. He is the leader of the Krang that has latched onto this planet like a cancer, using up its resources and assimilating its population. However, unlike the hundreds of planets that have come before this one is particularly personal. He doesn't want to merely assimilate but utterly destroy the descendants that caused his imprisonment thousands of years ago. His current state is unknown after being last seen with Donatello at the time of the man's self-destruction.

NEED TO KNOW DETAILS

All Resistance fighters have tiny self destruct bombs in their brains so that the Krang can not probe their minds to find out the Liberty Colony's location. They go off automatically after Krang infestation reaches a certain percentage, but can also be set off via voice command.

Donnie's brain bomb was far more potent because of the amount of information he knew. He did not want to risk the Krang getting any part of his mind.

The Krang have been searching for the resistance in a frustrating game of cat and mouse which has only become more difficult now that the Resistance easily knows their every move by using Donnie's probe.

Central Park Colony: now destroyed, but was once the last massive human colony in North America, housing both the EPF (Earth Protection Force) and US Government. Racism was a huge problem as most yokai and mutants were either quarantined, tested on, or used as living weapons in the fight against the Krang. It has since been destroyed.

Liberty Colony (aka the Resistance): grew from the ashes of the Central Park Colony. It is comprised of the survivors and lead by Leonardo, April, and several others. It is much smaller and more militaristic, but treats yokai, humans, and mutants equally.

Artificial Intelligence (like Omega and Shelldon) are able to fend off the Krang assimilation that people and tech would normally succumb to. It is for this reason Omega is used as both a protector of the Liberty Colony and operator for a majority of the vehicles so that the tech can no longer be easily taken over by the Krang during attacks.

Leonardo and Michelangelo (as well as Donatello's) Ninpo have all been stripped from them by this point in the story. While Leo can not tap into his family connection at all, Mikey at least has regained the ability to use some of his mystic powers.

Mikey's mystic abilities however come at a price. Since he can not tap into his Ninpo and the fountain of energy from his ancestors, he is instead using his own life force to cast his spells. It is slowly draining him.

TIMELINE Can be viewed HERE

SOURCE MATERIAL The video that inspired this all can be viewed HERE

Hope this helps! Sorry it's a bit long, tried to break it up with images. At least there might be a few interesting bits of information other readers may not have noticed. I snuck in a few things that haven't been mentioned yet, hehe.

[reverieblondie]

Neighbors

Chapter 1: Spider-Catcher

Pairing: TASM!Peter Parker x Reader

Warnings: None for this chapter ;) but be warned this series will be SMUTTY!

Summary: Moving to a new city could be challenging for anyone. Your new home is taking a lot of getting used too. Maybe you can make a friend, preferably someone who is okay with catching spiders...

A/N: Okay...I know this isn't Miguel content...but we are just going to pretend it's 2014 so I can have my moment with tasm!peter. This story was originally for Peter B. but then I watched The amazing Spider-Man and emotions took over. This will be a series I will be writing so please look for updates. Also I have a Miguel series in my drafts and a small dark fic for him. Plus I am also working on Gabriel O'Hara fic as well so hope you will keep your eyes out for those. Please comment if you want to be on my tagging list! And request are open!

Word Count: 1,787

Part 2 Part 3 Part 4

Chapter 1: Spider-catcher 

“Hey on your left!” 

A man on a bike rushes past you while you are walking. Hands filled with overflowing grocery bags, you had not seen that you had wandered into the bike lane. Jumping out of the way you narrowly avoid getting mowed down by the angry cyclist. 

“Mororon!” the man yells back at you

“I'm sorry!” escapes your lips as you shout out to the man who is long zipped by “dick…” you mudder under your breath. Sure you were in the wrong lane but you didn’t see your mistake so he shouldn’t have been so angry with you. 

You sigh, taking a mental note: watch out for New York bike riders…stay out of their lane

The short walk from the store ends when you reach your new apartment building, well, new to you. The complex itself was ancient in a bit of a sketchy area but the rent was cheap for New York, so you would not rethink your dwelling too much, though sometimes it was hard to stay optimistic. 

When you first moved into the apartment it was…depressing…It had bare walls with some cracks, the smell of smoke completely taking over the place, and decked out with some ancient appliances you were grateful at least worked. The last three days had been spent moving in your furniture, getting a job, and scrubbing down every wall in your apartment to rid of any suspicious grime. Now with your apartment decorated and you living there for the past few days, you felt like you were finally adjusting to the residence. 

You hope that once you get your groceries in and have your first home-cooked meal in the place it will definitely feel like home. Being new to living on your own and new to the city everything was taking some…adjusting. Call it cliche but you had always dreamed of moving to New York ever since you were a little girl, so when you got the chance to move up here for school you were eager to jump at the opportunity. Who wouldn’t want to move to the city where dreams are supposed to come true right? 

Now that you're living it however it was not the tale of living up your dreams like you had envisioned as a child. In your dreams, you expected to live in a large lavish apartment, unlike the more than modest one you were currently in. You would have tons of friends and go out every day, your going out consists of you going to pick up take-out and as for friends, you didn’t know anyone. 

Classes didn’t start for a few days and you started work tomorrow, hopefully, some friendship opportunities will present themselves soon. Another childish thought you had in your mind was, that you would be friends with everyone at your complex, but with the way people seemed less than friendly towards you, that thought was seeming to fade more and more. Just need to stay positive, you haven't even been here a week, don’t let it get you down, was the mantra you just kept repeating in your head.   

Pushing through the front door of the complex, you make a beeline for the elevator. There is no way you are going to be carrying all your groceries up the stairs where you live on the 12th floor, no way that is happening! Getting into the elevator after making the journey from the store to your apartment; you're thankful that the cramped elevator is empty so early in the morning.

Living on the 12th floor had its perks but also had its cons, especially when you had a slow elevator. It takes a creaking and shaking eternity to get to your floor; you're sure your ice cream must be starting to melt by now. Finally hearing the ding you get off and walk across your floor. As you set your groceries down, digging for your keys in your purse, slight movement catches your eyes forcing you to look up towards your door. 

Right on your door above the knob was the biggest spider you had ever seen. Spiders and you had never been best friends, in no way did you want to kill one, you just thought that it was best they lived their lives away from you and your home. Looking at the spider it seems harmless, it’s not like it seems poisonous or life-threatening. Maybe you can just scare it? Shoo it away? It's huge but maybe it will get scared and run off your door. Just be tough, it's just a spider…a huge spider…with creepy eight legs…and fangs…staring at you….

Shuddering at the thought of the spider you can feel yourself developing arachnophobia by the second. Getting a grip on yourself, you push down the bubbling fear and motion your hand like you're waving the spider off.  Your whole body teases hoping it won't run anywhere near you or worse jump on you. It’s just a dumb spider, what could it really do to you? 

Little did you know that this spider was no punk, this spider must have seen a thing or two because instead of being normal and running off it, hissed and you swear it jumped towards you! 

The sudden movement of the spider makes you recoil with a startled scream. Now would you usually jump like this? No, but this spider was out for blood you could see it in his evil eight eyes!  

As you're moving back in panic, the door across from yours flies open with a guy around your age coming out of it looking alarmed. The sudden appearance startled you causing you to jump away from him, landing your back on the door you were just screaming at. The fluffy-haired guy looks at you with wide eyes not understanding at all what is happening. 

Opening your mouth to apologize and give an explanation you turn and see the spider close to your face, The sudden proximity makes you scream again which in turn makes the neighbor scream. 

Jumping from your door you grab onto the stranger and hide behind his back using him as a human shield from the spider, “Get it! Get it! Get it!” is all you can manage as you cling to his shirt. His hands are raised in surprise as you paw at his back, keeping your eyes on the spider. His eyes are on you with that same look of confusion on his face as to why some random person is screaming and now clinging to him. 

“What are you talking about?” He asks in a confused tone and a hint of frustration. 

Looking up at him, pointing to your door you're an incoherent mess, “H-h-huge spider!” 

“Huge spider…” He repeats before he looks at your door and sees the spider, in your eyes it’s an aggressive beast, to his eyes it's a common spider seen around the building all the time. 

Understanding the situation he sighs and you take it as a sign to let go of the person you don’t even know. Watching as he shakes his head and goes back into his apartment you feel your heart sink that you won’t be getting help for your spider problem. Approaching your door you look around trying to figure out a plan, but suddenly a hand is tapping your shoulder. Turning around, you see he has reappeared with a paper and an empty Chinese take-out box nudging you to move out of the way. 

Standing back you watch as he effortlessly places the box over the spider and then slides the paper under it. As you're watching him trap the creature you start to really take in his appearance. Looking at his outfit you see a worn-out T-shirt (crumpled in the back thanks to your grabbing) and plaid sleep pants, brunet hair that looks like it hasn’t seen a brush all morning. Now that you're looking at him closely, you can admire his athletic build with some great arms and large hands….damn…plus that face, though he looks completely exhausted he's still…kinda cute. 

Once the spider is caught he closes the box and turns to you, quickly you adjust your gaze from his hands back to his face. Though when you look up at him with a smile you are only met with a look of annoyance, alright seems peeved. Wanting to lighten up the situation and thank him you go to say thank you but he just walks past you with a grumble. 

“Dramatic…”. 

Dramatic! The word echoes in your head leaving you slack-jawed as you watch him leave down the hall to the elevator disappearing inside. How can he call you dramatic, that thing was ferocious and sure you screamed and cowered but you're not dramatic! Plus he doesn't even know you. In a huff you finally get your keys and unlock your door, turning your head towards the elevator then to the door across from yours you roll your eyes. 

Putting away your groceries you're still thinking about your grumbling neighbor, so much for you thanking him for his help. If he wants to call you dramatic you would be dramatic and not thank him. So much for the possibility of having the spider-catching neighbor as a friend. 

As you're putting away your stuff your frustration must hit a peak because you decide it's time for you to give him a piece of your mind. Nobody just insults you like nothing! Who knows maybe he would respect you for it. Going over to your door you open it and see him about to enter his apartment turning his head to look at you with an unimpressed gaze. 

Stepping out, you fold your arms before speaking, “Excuse me, but what gives you the right to think it’s okay to call me dramatic?”

Turning to face you he mirrors your stance “Oh, you heard that? I mean you were the one screaming over a spider.” 

“A huge and scary spider” 

Peter holds his hands up in mock defense, “You know you're right, I barely made it out with my life.” he says in a voice dripping in sarcasm. - great he's a smartass… 

“Whatever, thanks a lot, next time I will handle it on my own.” 

“Just make sure to keep the noise down next time.” 

Rolling your eyes you shoot him a dirty look as you start closing the door, 

“Just wait till you see the cockroaches…” he mutters

Your motion comes to a quick halt “What?!” 

“Nothing~” 

With that last remark, he shuts the door leaving you with your thoughts of all the other creepy critters this place could be littered with. He’s messing with you, right? 

Right?!

Part 2 Part 3 Part 4